The Discovery of The Gloucester Shipwreck

Whilst as a rule I don’t usually share about history themed news pieces, I have made an exception, just this once. A few days ago, it was announced that the discovery of a ship, known as the Gloucester, which sank in 1682, with James, Duke of York (the future James II) on board, was found off the coast of Great Yarmouth in Norfolk. You may ask why this is significant and why I’m particularly excited to share this news with you.

Great Yarmouth is where I have holidayed regularly for many years now. For this reason, it holds a special place in my heart. It’s a traditional British seaside town, full of fun and amusement arcades. The pirate golf there is a must visit and is actually education too! Best of all is the famous reputation it has for it’s fish and chips. I have to agree that they taste like know where else.

Greenhill, John; James II (1633-1701), as Duke of York; Dulwich Picture Gallery; http://www.artuk.org/artworks/james-ii-16331701-as-duke-of-york-200078

However, the town does struggle with poverty due to its reliance on seasonal tourism. Whilst I must admit this is an issue that does need addressing, it is a place full of history if you know where to look. It was once a thriving fishing town and port. During my own research, I have seen these aspects referenced many times. One particular part of its history has become well known: the many old passageways that the inhabitants of the town used to live and do business from, which are known as The Rows. However, I must acknowledge that the town’s history and heritage is not always celebrated as much as it should. There are pockets of it, if you are interested and they certainly do have a very good maritime festival along the quayside.

From this, you may be wondering why I find it so exciting that a 340 odd year old shipwreck is such a welcome thing to the town. The Gloucester wreck has been described as an important a find as the Mary Rose, the flagship of Henry VIII’s fleet that was raised from the seabed off Portsmouth in 1982. The Mary Rose was a time capsule thanks to the many artefacts onboard and it seems the Gloucester is no different. There are even wine bottles with their contents still inside! The ship’s bell was still intact too, helping to identify the wreck.

If like me, you want to know all that there is to know about this amazing discovery, click here to learn more about the significance and some of the findings. An exhibition of the discovery is due to be held at Norwich Castle museum from Spring 2023 and I for one will definitely be attending and if you can, I hope you will too. I also hope that this will be just one of the things that Great Yarmouth needs.

I will also be writing a post on the events around the sinking of the Gloucester in a few week’s time, so please do look out for that.

The Double Cube Room at Wilton House as seen in Bridgerton and More

Like many avid Bridgerton fans, I was captivated with the room chosen for Queen Charlotte’s throne room where the debutantes were presented. It sparkles and oozes luxury with gold and large paintings everywhere. It has also been featured in many other period dramas, The Crown, and the 2005 adaptation of Pride and Prejudice. So where exactly is it? The room is actually the Double Cube Room at Wilton House in Wiltshire. Wilton is a spectacular house and has been dubbed one of the most, if not the most, beautiful country houses in England. No wonder it has featured in many a period drama and specifically been Buckingham Palace on more than one occasion.

Queen Charlotte from Bridgerton in her throne room, Netflix

Wilton House itself has been a private house since Henry VIII seized a previous religious site on the estate from nuns during the Reformation. The abbey and its vast 46,000 acre estate was given to William Herbert, who would go on to become the 1st earl of Pembroke and Henry VIII’s brother-in-law when he married Anne, the sister of Henry’s last wife, Catherine Parr.[1] Following this change of ownership, an original Tudor mansion was built, but major alterations to the southern wing during the mid-seventeen century was what the house would go on to be famous for.

Charles I was said to have spent most of his time in the summer at Wilton, so an appropriate design fitting a king was needed.[2] The south wing was to be a set of state rooms similar to those found in the courts of royal palaces. These state rooms were meant to be a mixture of public rooms where the monarch could be meet with his court, along with banquets, music and dancing. There were also a few more private rooms which were only entered by invite only.

By the time of the alterations, the 4th earl was in charge, deciding to employ Inigo Jones and his pupil, John Webb, to design a classical style exterior with an flamboyant exterior, similar to Jones’ other works at Banqueting House and the Queen’s House at Greenwich. Who best to design a space meant to hold a mini court? Jones had been a protégé of the Herbert family, so that was also a big factor in choosing him as the designer.[3] He as also an innovator as he was responsible for bringing in the Palladian style, which took influence from the classical styles of architecture found in Greece and Rome. Whilst he was an innovator, the style would sadly not catch on until the Georgian period a hundred years later.[4]

John Goodall, Wilton House (2005), Wikimedia Commons

A fire in 1647 caused serious issues to the building project as it meant a new design, the one we now see, had to be built. Jones was an elderly man by then and so Webb is thought to have taken over more of the duties, whilst Jones was still involved.[5] What was finally completed was truly spectacular. The Double Cube Room, the focus of this post, is perhaps the most recognisable. It was one of the public state rooms, along with its smaller twin Single Cube Room, which was used as a sort of entrance space for the Double Cube Room. Both of the Cube Rooms were so called because Jones had designed them to be a symmetrical cube shape, although the Double Cube Room was originally known as the King’s Great Room as it was mainly used as a presence chamber.[6]

The ceiling was highly decorated in the baroque style that was popular at the time, known for its flamboyance. Again the classical themes were shown in the choice of scenes portrayed on the ceiling as they tell the story of Perseus, the Ancient Greek hero.[7] As if the splendour of the room wasn’t enough with its ostentatious decoration and expensive furniture made by William Kent and Thomas Chippendale everywhere, there are also the many paintings by Anthony van Dyck throughout the room. The largest of which is a portrait of the Herbert family. As it was 17 feet wide, the whole room had to be designed around it.[8] With so many van Dyck paintings in one room, it has often been called one of the best collections of the artist’s work in one place.

A chimneypiece in the Double Cube Room at Wilton House From In English Homes (1904), Wikimedia Commons

Whilst the room has become recognisable to many a period drama fan, in the past it was monarchs who have greatly enjoyed the Double Cube Room, and the rest of Wilton House alike. The house has been visited by every monarch since Edward VI, who would have visited when the whole original Tudor house would have been in existence.[9] It is no wonder that the grandeur of the house has made it as much of a character of the period drama genre as the human characters. Still, one thing is usually forgotten, well it’s certainly something that I didn’t know until researching for this post, that the state rooms, including the Double Cubed Room, served as an allied headquarters during World War Two and the D-Day Landings were planned from there.[10]

No matter how much grandeur the Double Cubed Room has seen during its long lifetime, it still continues to captivate many visitors and viewers of period drama alike. One day I hope to visit Wilton House in person and get to imagine just what it might be like to be an actor in Bridgerton visiting Queen Charlotte’s throne room.


[1] Ford, Toni ‘Great British Houses: Wilton House- A Stunning Example of Palladian Architecture in Wiltshire’, Anglotopia for Anglophiles, 14 August 2015, https://anglotopia.net/british-history/great-british-houses-wilton-house/

[2] Ellis, Sian, ‘Palladian Wilton House’, British Heritage Travel, 13 July 2016, https://britishheritage.com/palladian-wilton-house

[3] Montgomery-Massingberd, Hugh and Sykes, Christopher Simon, Great Houses of England and Wales (London: Laurence King Publishing Ltd, 1994), p. 117

[4] Ibid, p. 12

[5] Ibid, p. 120

[6] Hinshaw, Victoria, ‘Wilton House- Part Two’, Travels with Victoria, http://numberonelondon.net/2019/05/travels-with-victoria-wilton-house-part-two/

[7] Ibid

[8] Ibid; Ellis, Sian, ‘Palladian Wilton House’, British Heritage Travel, 13 July 2016, https://britishheritage.com/palladian-wilton-house

[9] Ellis, Sian, ‘Palladian Wilton House’, British Heritage Travel, 13 July 2016, https://britishheritage.com/palladian-wilton-house

[10] Hinshaw, Victoria, ‘Wilton House- Part Two’, Travels with Victoria, http://numberonelondon.net/2019/05/travels-with-victoria-wilton-house-part-two/

Jane Lane: The Woman who Helped Charles II to Escape

The English Civil War, fought between the Parliamentarians and Royalists, had started as a direct result of grievances about the way in which Charles I had ruled, largely without Parliament, as well as fears about the Catholics, most notably his wife, Henrietta Maria, he had become associated with. Whilst there are many more reasons for the Civil War, these are most commonly cited. When Charles I was executed at Whitehall in January 1649, England became a republic led by Oliver Cromwell. Still, Royalist hopes were kept alive in Charles, the Prince of Wales. Scotland had been horrified and proclaimed the young Charles as their king. On 1 January 1651, Charles was crowned as Charles II, with the promise that Scottish forces would follow him to England to help him reclaim his throne.[1]

The forces led by Charles met with Parliamentary resistance at the battle of Worcester on 3 September 1651. It was not the Royalist victory that was hoped for as the Parliamentarians defeated them. Despite reports that Charles had been killed in the fighting, he had managed to escape and had gone into hiding. A huge £1,000 reward (around £103,000 in today’s money) for his capture was given. This reward would make his escape even harder. Whilst in hiding, the famous incident of Charles hiding in an oak tree at Boscobel House when Parliamentarian soldiers came looking for him happened.

Plan showing the route Charles took on his escape from England following the Battle of Worcester in 1651, from Fea, Allan, The flight of the king : a full, true, and particular account of the miraculous escape of His Most Sacred Majesty King Charles II after the battle of Worcester, (1908), p. 2

This, as well as other close shaves, made him realise a better plan was needed to get him out of the country and away from danger. Lord Henry Wilmot, a close confidant of Charles, who had also been at Worcester, was also in hiding, but was staying at Bentley Hall, the home of John Lane. John Lane was a known Royalist sympathiser who had been a Royalist cavalry officer during the Civil War. He had led a band of Royalists who made the journey to Worcester but didn’t get there in time for the battle.[2] The original plan was to use John’s sister, Jane, to help Wilmot escape, as she had been granted a pass to visit a pregnant cousin in Bristol so she could help with the birth. This pass covered her, a servant, and her cousin Henry Lascelles. As both Royalist and Catholic, the family needed these passes to be able to move further than 5 miles away from their home.[3] This was the perfect excuse to help Charles, rather than Wilmot to escape to the safety of the continent.

Charles was to pretend to be Jane’s manservant, taking on the name Will Jackson. Only a few, including Jane, know the true identity of this man. Charles’ acting skills really had to be excellent to pull off this disguise as he was easily noticeable with his dark complexion and 6 ft 2 stature. Despite many dangers along the way, including a horse losing a shoe and a brush with Parliamentarian soldiers, the gang, which included John and Jane Lane, as well as their sister Withy and her husband, John Petre, arrived at the home of Ellen Norton, their pregnant cousin. Whilst there, a butler recognised the king but rather than think of taking the £1,000 reward, offered his silence and assistance.[4] It was decided that Charles wouldn’t be able to take a boat from Bristol, as had originally been planned, but that it was best to try the south coast. To be able to do this, the party needed some sort of excuse to leave, which was now harder when Ellen had suffered a late-term miscarriage. Jane herself forged a letter saying her father was seriously ill and she had to return home.[5]

Isaac Fuller, King Charles II and Jane Lane riding to Bristol (1660s), NPG 5251, © National Portrait Gallery, London

The ruse worked and the group managed to get to Dorset, where Wilmot and Charles were safely reunited. Despite all the dangers they had faced in their journey to get to this point, Jane and her family had to return to Bentley Hall to make their plan appear real, leaving Charles to escape to France. It’s quite possible that Jane and Charles thought that would be the last they saw of each other. However, fate had other ideas. News of a woman matching Jane’s description had helped Charles in his escape began to spread. Her life was now in danger and it was her turn to take on a disguise. She walked all the way to Yarmouth in Norfolk and escaped to France, where she was warmly welcomed by Charles.[6]

In return for saving his life, Charles offered Jane many personal gifts, including miniature portraits of himself, a lock of his hair, and a gold pocket watch, which had been a gift given to him by his father.[7] The pair remained firm friends and even continued corresponding together when in 1652, Jane became a part of the household of Charles sister, Mary of Orange, in Holland.[8] Following the Restoration of Charles as King in 1660, Jane was given a £1,000 a year pension for her services to the monarchy.[9] The pair continued their friendly correspondence, even after Jane became Lady Fisher after her marriage to Sir Clement Fisher in December 1662, right up until Charles death in 1685.[10]

The bravery of Jane in helping the young Charles is evident. What is most remarkable is the platonic nature of her relationship with Charles, an open and well known philanderer. He was less than subtle when it came to his womanising ways and yet, with Jane, it appears that it never went beyond a friend-like relationship. However, he did admire Jane and was always keen to tell everyone that it was her who had saved his life.


[1] ‘Charles II’, https://www.royal.uk/charles-ii#:~:text=On%201%20January%201651%2C%20the,Worcester%20on%203%20September%201651.

[2] Beardsley, Martyn R., Charles II and His Escape into Exile (Barnsley: Pen and Sword, 2019), p. 55

[3] Lawless, Erin, ‘Hidden historical heroines: Jane Lane’, https://erinlawless.wordpress.com/2013/06/03/hidden-historical-heroines-28-jane-lane/

[4] Ibid

[5] Ibid

[6] Ibid; Whipp, Koren, ‘Jane Lane, Lady Fisher’, https://www.projectcontinua.org/jane-lane-lady-fisher/

[7] Ibid

[8] Lawless, Erin, ‘Hidden historical heroines: Jane Lane’, https://erinlawless.wordpress.com/2013/06/03/hidden-historical-heroines-28-jane-lane/

[9] Whipp, Koren, ‘Jane Lane, Lady Fisher’, https://www.projectcontinua.org/jane-lane-lady-fisher/

[10] Ibid

The Wild Animals of Stuart England- Guest Post by Cassidy Cash

“Gavest thou the goodly wings unto the peacocks? or wings and feathers unto the ostrich?” – Jon 39:3, King James Bible (1616)

Exotic animals in England in the 17th century were a staple part of society. Travelers, explorers, and representatives of the import/export industry would send and ship non-native animals to England for display, for curiosity collections among the upper classes, and for use in production of perfumes, apothecary remedies, and even ink pens or clothing accessories.

Close up section of a painting by Jan Brueghel the Elder, (1618). The full portrait is called  Allegory of Taste, Hearing and Touch. This closeup shows a peacock served in full plumage. Public Domain.

Exotic animals were used in everything from perfume and apothecary creations to harvested for their pelts and feathers to be used in clothing or accessories. While cats and dogs were common household pets, the more exotic animals like parrots and even monkeys were also imported to the newly formed United Kingdom to take up residence at the homes of the UK’s most prominent citizens who saw the possession of exotic animals as a status symbol. 

From the mundane to the extraordinary, I decided to take a look at the animal life of the 17th century. Here’s a few of the most surprising animals I discovered and their place in Stuart England.

Monkeys at a banquet, 1660, byDavid Teniers the Younger. At the  Museo Nacional del Prado in Madrid, Spain. Public Domain.

Monkeys

Monkeys were often kept by the elite of the 17th century, who saw ownership of these curious creatures as a symbol of their status. After all, to purchase a monkey was quite involved logistically since it was much more complicated than running out to a pet store. Therefore, to own a monkey was a way to flaunt your power and wealth as it required both to own one. It is recorded that one prominent Stuart lady, the daughter of James I, Elizabeth Stuart, owned not only monkeys but also parrots. According to the Oxford University Press, household records from Elizabeth’s childhood record “Elizabeth spent 8 shillings and 3 pence on ‘strewing herbs, and cotton to make beds for her grace’s monkeys’, ‘mending parrot’s cages’, and ‘for shearing her grace’s rough dog.’” 

There are numerous paintings of parrots from the 17th century (including several of the african grey parrot like what Frances Stuart owned). This portrait is titled “A Woman Feeding a Parrot, with a Page” by Caspar Netscher, 1666, part of the National Gallery of Art. Public Domain.

Parrots

Elizabeth Stuart is just one example of a lady of prominence owning a parrot. Frances Stuart, Duchess of Richmond is immortalized in a wax effigy that features her pet parrot. Her parrot was an African Grey parrot that lived with Frances Stuart for close to 40 years. After it died, the bird was stuffed, and despite what Westminster Abbey’s blog calls “Primitive” measures to preserve the animal, the entire skeleton of the bird survives to this day, making it the oldest known stuffed bird in existence. 

Albrecht Duer’s woodcut from 1515 of the Rhinoceros, woodcut print, sheet (trimmed to image): Height: 23.5 cm (9.2 in); Width: 29.8 cm (11.7 in). National Gallery of Art. Public Domain. Note This is a digitally altered version of File:Albrecht Dürer – The Rhinoceros (NGA 1964.8.697).jpg. The modification consists of the setting of the white point according to the light area around the sheet, normalization of the dynamic range, and a slight sharpening. The resulting image was converted into an indexed colour palette. To avoid quantization errors this file should not be used for further processing. Any modifications are best applied to the original.

 Rhinoceros

The earliest known image of a rhinoceros was drawn as a woodcut in 1515 in Italy. That same year, another famous and much more detailed woodcut of a rhinoceros would be drawn by Albrecht Duer who drew the animal from a description provided about a live rhino that had been given as a gift to the King of Portugal. While most of the instances of rhinoceroses are drawings and woodcuts included in naturalist texts there was one instance of a live rhinoceros in England in the year 1684. 

Dated October 10, 1684, this London newspaper records an advertisement for a Rhinoceros. The animal was shipped to England from India and placed on display at a tavern where patrons could pay money to look at and to ride the “Rhynoceros.”

A peacock in a flask, “representing the stage in the alchemical process when the substance breaks out into many colours”,from the Splendor Solis (1582). “Detail of a miniature of a peacock in a flask. Image taken from f. 28 of Splendor Solis (an alchemical treatise) (index Splendor of the Sun). Written in German.” by Salomon Trismosin | The British Library | This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

Peacocks

“Proud as a peacock” is a well known English saying that stems from the prevalence of peacocks in England. These birds, known as blue peafowl, do not have what bird experts call an “established” presence in the country, but they have remained popular in England since at least Roman times when the birds were first introduced from India by the Romans. 


What made the peacock popular for Stuart England was the use of their beautiful feathers in decoration as well as their popularity as an elegant dinner dish on the tables of England’s nobility. In this 1618 painting by Jan Brueghel the Elder, you can see a peacock served at the table with it’s full plumage and even it’s head salvaged for decoration on the dinner table. 

The peacock was frequently used as a symbol of pride. You can see this usage of the peacock’s reputation in this drawing of James II of Scotland who is depicted in caricature as an owl kneeling to the Pope, who is caricatured as a peacock. 

Lion from Cosmographia by Sebastian Münster., unknown artist, published 1544. Published to http://www.tablespace.net/maps/ by William Favorite. This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.

Lions, Tigers, and…Eagles?

By 1622, Lord Protector Olive Cromwell had outlawed animal fighting, but animals were still kept in the Tower of London. There’s a record of eleven lions, two leopards, three eagles, two pumas, a tiger, and a jackal being housed there that year. 

Sports in Stuart England often included pets with popular pastimes like bull and bear baiting both involving dogs, often pit bulls, being trained to attack bulls or bears in an arena for the purpose of entertaining a gathered group of spectators. Beyond spectator sports, activities like falconry involved the use of birds to capture prey and was a popular form of hunting for the monarchy. 

Dogs and cats were the most common household pets, but cats were also used by the military as a weapon. Published in official military manuals, one strategy for burning down a town including strapping flammable material to the back of a cat, lighting it on fire, and setting the cat loose in the town. The cat being extremely hard to catch anyway, it’s even harder to catch once it’s on fire, so the cat would mercilessly spread fire over an entire town during this death run.

Ostrich Hunt byAntonio Tempesta (Italy, Florence, 1555-1630), Italy, 16th century Series: Hunting Scenes V Prints; etchings Etching Los Angeles County Fund (65.37.1) Prints and Drawings Los Angeles County Museum of Art | Public Domain

Ostriches

For 16-17th century London, the ostrich was known, and considered incredibly exotic, rare, and consequently, images of ostriches were used to communicate great wealth. According to the Art Institute of Chicago, Ostrich feathers were used to create the decorative panache combatants wore during a jousting match in the 16th century, and some historians report that ostrich feathers were used as quill pens during Shakespeare’s lifetime. Colored ostrich feathers were also popular in the 16th century. Read more about that here. Not native to England, ostriches were imported from Northern Africa to England for their feathers. I was unable to find any ostrich farmers in Stuart England, but the sheer volume of feathers that were in demand for clothing and ink pens would have made it practical to try and raise them on a farm, so I wouldn’t be surprised to discover a farm did exist for Stuart England. 

Ostriches, along with elephants, lions, and rhinoceros were among the animals kept in the Tower of London. This menagerie of animals was considered the first zoo, and many of the inhabitants were there because explorers or even dignitaries would give the exotic animals to the King as a gift and the gifted animals had to be kept somewhere.

A Polar bear approaches the men of Willem Barentsz.| Engraving by Gerrit de Veer 1596, from Diary of Gerrit de Veer | Public Domain

Polar Bears

As an example of animals returned from exotic lands as a gift for the King, there were two polar bear cubs brought back from an expedition to the Arctic to be given as a gift to James I in the early 17th century. 

We know about Poole’s polar bear cargo because Samuel Purchas writes about it in Pilgrimes (1625).

we slue 26. Seales, and espied three white Beares: wee went aboord for Shot and Powder, and comming to the Ice againe, we found a shee-Beare and two young ones: Master Thomas Welden shot and killed her: after shee was slayne, wee got the young ones, and brought them home into England, where they are aliue in Paris Garden.

By 1611, Philip Henslowe and Edward Alleyn had, as Aubrey notes in today’s episode, received the royal warrant from King James to be in charge of the various bears, bulls, and mastiffs in the King’s care. Which means they were specifically in charge of the polar bear cubs which Poole had gifted the King. King James loved animal blood sports and is reported to have kept quite the zoo inside the Tower of London. As shareholders in the Fortune Theater and investors in Bear Garden, Henslowe and Alleyn bought their own zoo, and several critics have pointed out that the young bears could have performed in playhouses as well as baiting rings.

During that 1595 expedition, Barents lost two of his men to a ferocious polar bear attack. In his diary, Gerrit de Veer recounts the episode by saying the bear pursued the first man, before he  “bit his head in sunder, and suckt out his blood” The rest of the crew takes off running, and the bear chases them, grabbing his second victim “which she tare in peeces” The story was written down close to 15 years later, and published in English in 1609, the same year Jonas Poole returned to England with two polar bear cubs for King James, and the same year William Shakespeare wrote A Winter’s Tale and included the not only famous, but curiously unique “exit, pursued by a bear” stage direction.

From elephants to monkeys and parrots, it seems Stuart England had more than their fair share of surprising exotic animals in the streets and homes around England.

Cassidy Cash is a Shakespeare historian and host of That Shakespeare Life, the podcast that goes behind the curtain and into the real life and history of William Shakespeare. Cassidy runs a vibrant membership community for Shakespeare enthusiasts and creates history activity kits that work like science labs for Shakespeare history. Learn more at www.cassidycash.com 

Pontefract Castle and John Morris: How an English Civil War Siege was Undone by Beds

Pontefract Castle in Yorkshire has been a place of power ever since he was originally built during the Norman Period. It became a place of royal power after it was brought into royal hands in the 12th century, after the power struggles during the reign of Henry I. For me, the castle means a lot as the place that Anthony Woodville, my favourite historical figure, his nephew, Richard Grey, and his friend, Thomas Vaughn, were executed in 1483. The years of the English Civil War in the 1640s continued this tumultuous history when it was besieged 3 times.[1] In fact, the consequences of the last siege in 1648, following the Parliamentarians gaining control of the castle ended in an interesting, even somewhat comical, way.

The Royalists were determined to again take possession of the castle. None was more enthusiastic than the Yorkshireman, Colonel John Morris. He was known for carrying on fighting at both the Battle of Nantwich and Middlewich, despite being on the losing side.[2] However, following the fall of Royal forces at Liverpool, he briefly switched sides. It is thought that this was because of a soldiers’ desire to win, rather than any heartfelt gesture. As Edward Hyde, the Earl of Clarendon (also a very distant ancestor of mine), noted on Morris’ decision to change sides, this didn’t help him with the Parliamentarians either, for they “left him out in their compounding of their new army”.[3] The lack of acceptance made him once again return to his Royalist roots and he found himself assisting in the third siege at Pontefract Castle.

Pontefract Castle during the Siege of 1645 in, “Supplement to the Sieges of Pontefract Castle, etc”, British Library

The original plan was to scale the walls using ladders, but the men Morris commanded had got a little too drunk beforehand and they ended up being disturbed by the guards but weren’t captured.[4] Following this attempt at entering the castle, there were orders to employ more men at garrison inside the castle. This meant more beds were needed for these extra men, so Morris and his men were able to successfully disguise themselves by carrying beds into the castle.[5] It’s almost beyond belief, but this strategy worked, and the Royalists were able to take charge of the castle. The Parliamentarians were placed in the dungeons and many of their names were carved into the walls.[6] In direct response, other Parliamentarians in the area were sent to ransack John Morris’ house in the West Riding of Yorkshire. They stole £1,000 (around £103,500 in today’s money) in goods, and £1,800 (just over £186,000 in today’s money) in cash.[7]

The Royalists held Pontefract for around 9 months in total, even well after the Parliamentarians had officially won the war. It wasn’t until the execution of Charles I in January 1649 at Whitehall in London, that the garrison finally realised that they would have to surrender. Even so, just as before, Morris wasn’t willing to give in without having his final say. He made demands that he said had to be met before he would allow the garrison to surrender. He specifically asked for an armed convoy home and for all the men to be exempt from prosecution or being sued for their parts on the Royalist side.[8] These terms proved too much, and it was finally agreed that only Morris and 5 others would be exempt, but this proved to be a trick so they would leave the castle.[9] One man was shot when they left and Morris escaped, but went on the run. He was found 10 days later and sent to York to be condemned to death as a traitor, but again he briefly escaped.[10] He was eventually executed on 23rd of August 1649.

Pontefract Castle as of 2016 (Author’s Own Image)

The Parliamentarians, especially Oliver Cromwell, never forgot how stupid they were made to look when John Morris and his men had taken over the castle at Pontefract. Cromwell saw it as such a troublesome place than instead of the customary slighting, where a castle was partially damaged, he ordered and paid the townspeople of Pontefract to destroy it.[11] To this day, the castle is a former shadow of itself. It’s very hard to imagine what the castle had once looked like prior to the destruction as there is so little left of it. Thankfully, there are some lovely images available to give a sense of what that might have been like. Whatever that may have been, you can’t help but commend John Morris for his tenacity and quick thinking when it came to infiltrating Pontefract Castle by using just beds.

If you would like to learn more about the history of Pontefract Castle, please do take a look at the following website: https://pontefractsandalcastles.org.uk/. It’s run by an amazing team of volunteers for both Pontefract and nearby Sandal Castle, both with wonderful Wars of the Roses connections. The team are lovely and the website is full of information on all aspects of history connected to both sites.


[1] Exploring Castles, Pontefract Castle: History of England’s Most Fearsome Fort, https://www.exploring-castles.com/uk/england/pontefract_castle/

[2] Cooper, S., The Bravest Cavalier: John Morris & The Siege of Pontefract Castle, 1648-9 (2014), http://www.chivalryandwar.co.uk/Resource/THE%20BRAVEST%20CAVALIER.pdf, p. 21

[3] Clarendon cited in Cooper, S., The Bravest Cavalier, p. 21.

[4] Pontefract Castle, Stories, https://www.pontefractcastle.co.uk/Castle-Stories.aspx; Thomas Paulden cited in Cooper, S., The Bravest Cavalier, p. 21.

[5] Earls of Manchester, Sieging and besieged: who were the soldiers who fought to control Pontefract Castle?, https://earlofmanchesters.co.uk/sieging-and-besieged-who-were-the-soldiers-who-fought-to-control-pontefract-castle/

[6] Cooper, S., The Bravest Cavalier, p. 49.

[7] Cooper, S., The Bravest Cavalier, p. 50.

[8] Earls of Manchester, Sieging and besieged: who were the soldiers who fought to control Pontefract Castle?, https://earlofmanchesters.co.uk/sieging-and-besieged-who-were-the-soldiers-who-fought-to-control-pontefract-castle/

[9] Earls of Manchester, Sieging and besieged: who were the soldiers who fought to control Pontefract Castle?, https://earlofmanchesters.co.uk/sieging-and-besieged-who-were-the-soldiers-who-fought-to-control-pontefract-castle/

[10] Earls of Manchester, Sieging and besieged: who were the soldiers who fought to control Pontefract Castle?, https://earlofmanchesters.co.uk/sieging-and-besieged-who-were-the-soldiers-who-fought-to-control-pontefract-castle/; Pontefract Castle, Stories, https://www.pontefractcastle.co.uk/Castle-Stories.aspx;

[11] Exploring Castles, Pontefract Castle: History of England’s Most Fearsome Fort, https://www.exploring-castles.com/uk/england/pontefract_castle/

Audley End- Aristocrats, Avenues and Espionage: a Guest Post by Laura Adkins

This guest post has kindly been written by Laura Adkins, the creator of the For The Love of History Blog, which I have been able to do a few guests posts for myself. She has worked at many historical sites and mainly posts about ones found in Essex, her home county. Do check her blog out if you can, I promise you it’s a very enjoyable read.

One of the grandest houses in England, Audley End stands proudly in the countryside of Saffron Walden. Its origins date back to the 10th Century, where it began life as Walden Abbey, given to Thomas, Lord Audley, by Henry VIII, who converted the monastery into a house. 

The rooms are high and hung with beautiful tapestries: the beds amply decorated with golden velvet and silk bed hangings and covers.’

From the account of the visit of Johann Ernst, Duke of Saxe-Weimar, to Audley End, September 1613

In this post, I will be exploring three parts of Audley’s history, those who lived there – the Howards, its beautiful gardens designed by the one and only Capability Brown and its role in WW2 and the polish resistance.

Aristocrats:

The creator of the current structure of Audley End was Thomas Howard, part of the infamous Howard family. He inherited the House in 1605 and set about transforming the site into a country estate fit enough for royalty as he wanted to show off his wealth. Unfortunately, not much survives of his transformations and what we know from his estate comes from archives and documentary evidence. We know work began in 1605 and completed around 1614. Along with his uncle Henry Howard and Bernard Janssen, a Flemish mason, the three set about creating one of the greatest houses in Jacobean England.[1] Audley End had all the parts one expects in a Jacobean Mansion including symmetrical inner court, lodgings for his guests, including one for both the King and a separate one for the Queen for when they would stay. Today the house is only half the size of what it once was.

Thomas Howard, 1st Earl of Suffolk by Unknown Artist, National Portrait Gallery

The Howard family’s rise to power began in 1483, when King Richard III created John Howard the Duke of Norfolk. This was the third time that the Title of Duke of Norfolk had been used, and John had blood links to the first ever Duke of Norfolk – Thomas Mowbray (made 1st Duke of Norfolk in 1397). The head of the Howards would not only hold the title of Duke of Norfolk, but that of Earl of Arundel, Earl of Surrey, and Earl of Norfolk in addition to holding six baronies. They were a powerful family, who in the reign of the Tudors were ones to watch out for. Thomas Howard, son of John would be successful in defeating the Scots at the Battle of Flodden with two of his nieces – Anne Boleyn and Catherine Howard being married to King Henry VIII. Charles Howard, 1st Earl of Nottingham, would hold the title of Lord Admiral and lead the English against the invasion of the Spanish Armada in 1588. For more on this infamous family, I suggest reading House of Treason by Robert Hutchinson.

In 1751, after the 10th Earl’s death, Elizabeth, Countess of Portsmouth brought Audley End which in turn would be inherited by her nephew, Sir John Griffin Whitwell, on the agreement that he took the surname of Griffin. John was a retired soldier and MP for Andover. He had fought and was wounded at the Battle of Kloster Kampen in 1760 during the Seven Years War.

Sir John, who became Lord Howard, would make more transformations to Audley End, most of which is what we can see today. He hired the architect Robert Adam to transform the house and Capability Brown the landscape. Adam’s work can be seen in the ground floor reception rooms on the south front today. Over time, Sir John started to pick up the architectural bug and his second wife, Katherine the decor. They both, respectively, became amateur architect and decorator and thus set about making many of their own changes to the house. The central range was rebuilt to reconnect the two wings of the house, along with a unique service gallery and detached service wing, all under the eye of Sir John.

Audley End would be one of the first houses to have a flushing water closet (installed in 1775) along with a bell system for the family of the house to call their domestic staff. Today, much of what can be seen at Audley End is a result of Richard Neville, who in the 1820s remodelled the house taking it back to its Jacobean roots.

Audley End, Wikimedia Commons

Avenues:

The beginnings of formal gardens at Audley End were started during the conversion of the monastery into house. It would be Elizabeth, Countess of Portsmouth, who would begin the transformation of the gardens into a more formal landscape. However, the landscape that we see today was mostly the result of one Capability Brown.

I mentioned above that in 1763, Griffin hired John Adam to assist with the interior development, he had Capability Brown do the same with the estate. Brown’s brief was to widen the river running through the estate, building a ha-ha and transforming the overall look of the gardens into Brown’s ‘naturalistic style’. He would create new roads towards the house, including one with a bridge, which was designed by Adam’s and is a Grade I listed structure. Brown was to be paid £660 (around £1,150,000 today) for his work in three payments, the last being on completion.

The two would eventually fall out with the result being Griffin dismissing Brown and getting the unknown Joseph Hicks to finish the work. However, the elements of Brown’s work are there for all to see and appreciate, including sweeps of grass, water flowing towards the house, long curving drives with stunning views for visitors and wooded areas to hide service buildings.

Espionage:

When I visited Audley End many years ago, I did not really pay much attention to a monument within the estate, remembering fallen soldiers from WW2. It was not until planning this post that Danielle mentioned the Polish secret missions that made me go back and re look at Audley End’s history in the 20th Century.

In 1941, like a number of other country estates, Audley End was requisitioned by the Army to be used as a training facility. By 1943, those who trained there was exclusively Polish Soldiers. They were undergoing training to assist them when they were secretly returned to German occupied Poland and assist the Polish resistance.

WWII Reenactment at Audley End

Code named station 43 (overseen by the Special Operations Executive), the Polish agents, under the command of Captain Alfons Mackowiak (Alan Mack). They would undergo various training in guerrilla warfare which included close combat, assignation, forgery, planting booby traps and of course learning how to parachute out of a plane. In total 527 soldiers passed the training and were sent into Poland. Sadly, 108 of these were either killed in action or at concentration camps and are remembered on the memorial I mentioned above. The soldiers would be known as the Cichociemni (the silent and Unseen). They would be involved in many missions, including recovering a German V2 rocket and smuggling into England.

‘Between 1942 and 1944 Polish members of the Special Operations Executive trained in this house for missions in their homeland. This memorial commemorates those who parachuted into enemy occupied Poland and gave their lives for the freedom of this and their own country.’ Listed Grade II © Historic England Archive PLB/K030323

In 1948, the house was handed over to the nation. Today it is managed by English Heritage, and accessible to the public, for more information on visiting times, exhibitions and events head to https://www.english-heritage.org.uk/visit/places/audley-end-house-and-gardens/

[1] Drury, P (…) English Heritage Guidebooks – Audley End

Sources:

Borger, J (2016) Honouring ‘silent and unseen’ fighters who led Polish resistance. Available from: https://www.theguardian.com/world/2016/jun/10/honouring-poland-silent-unseen-fighters-resistance-nazi-british [Accessed 04.08/20]

English Heritage (2020) Audley End House and Gardens. Available from:  www.english-heritage.org.uk/visit/places/audley-end-house-and-gardens/ [Accessed 25/07/20]

Historic England (2020) Audley End. Available from: historicengland.org.uk/listing/the-list/list-entry/1000312 [Accessed 25/07/20]

Historic England (2019) The Secret War: Resistance in Britain During the Second World War. Avalbne from: https://heritagecalling.com/2019/11/05/the-secret-war-resistance-in-britain-during-the-second-world-war/ [Accessed 05/08/20] Landscape Institute(2016) About Capability Brown. Available from:  http://www.capabilitybrown.org/  [Accessed 4/8/20]

Margaret Cavendish (nee Lucas), Duchess of Newcastle

I first came across Margaret’s story during my volunteering at Bolsover Castle. I admired her determination to be what we would view as a modern woman, which during the seventeenth century, was an incredibly difficult thing to do. The saddest thing is that she was often nicknamed ‘Mad Madge’, when really, the exact opposite was true. Margaret was a highly intelligent woman who was interested in science, art, laboratories, and literature.[1] She was a prolific writer of books and essays on these topics and much more, including a biography of her husband, William Cavendish, poetry, and plays which often reflected her life experience. Best of all, William actively encouraged these interests his wife, who was 30 years younger than himself, had. He often spoke out about the reasons her being criticised as being unladylike and socially inappropriate in her pursuits, as pure sexism.[2] In Margaret he saw an intellectual equal, which it a very unique relationship for the times. I completely commend them for it. They received a huge amount of criticism for this, meaning they often spent long periods away from court, but that didn’t stop them from showing genuine love and acceptance of each other’s talents.

P. Lely, Margaret Cavendish, Wikimedia Commons

Margaret was born Margaret Lucas in 1623 to a respectable, royalist leaning family, in Colchester. We know little as to how she became interested in the usually male reserved topic of science and literature, but it is probable that she accessed these during her private tutoring at home.[3] What is clear is that she had an innate understanding of these topics. It was this that probably attracted William Cavendish when they met at the exiled court of Henrietta Maria in 1645. By this time, Margaret was a lady-in-waiting to the exiled Queen of England and William’s first wife, Elizabeth, had died. This first marriage, although is deemed to have eventually become a love match, was more a typical match of convenience, despite it producing 8 children. In Margaret, William had found his equal in all things, other than age and status.  

The couple’s early courtship was full of romance, despite the unhappiness that Henrietta Maria felt about the match.[4] From these letters we can clearly see the emotions that William felt for Margaret. They often referenced the large age gap between them, hoping that it would not hinder their love.

“I know that I’m old, it is too true,

Yet love, nay, I am in love with you.

Do not dispise me, or be cruell

For thus I am loues best fuell

No man can love more, or loves higher

Old, and dry wood, makes the best fier.”[5]

Even more touching is the references made to the lack of financial stability during his time in exile on the continent, following on from the Battle of Marston Moor and the English Civil War.

“The Princess Mary, marrys Kinge of Poland,

And you my Deer, do marry Prince of Noland”[6]

These letters offer us an incite into what appears to have been a genuine love between William and Margaret. It would appear that William didn’t hide his faults at this time, but he certainly made it no secret that he had a true love for Margaret, despite the small differences between them. However, they also had a lot in common.

William Cavendish, 1st Duke of Newcastle-upon-Tyne and Margaret Cavendish (née Lucas), Duchess of Newcastle upon Tyne by Peter van Lisebetten, © National Portrait Gallery, London

The exile they endured until the Restoration of Charles II in 1660 didn’t hinder their enthusiastic collecting of books and scientific instruments, amongst other things, a hobby they often shared together. The couple amassed a large collection of microscopes and telescopes during this period. Margaret even had her own ones to use personally, which was why she later went on to critique the use of them in the Royal Society. Many at the time used this to rubbish her opinion, believing that them as childlike. However, as she used such instruments herself, she knew very well that the instruments could offer imprecise readings, especially as the grinding of lenses was a common problem.[7] These critiques of microscopes would later be reflected in the work of John Locke and Thomas Sydenham, but were largely brushed off.[8] These were not the only dealings Margaret had with the Royal Society, she often attended their public experiments, much to the comment of others. Sadly, this meant that after Margaret, women were excluded from the Royal Society until 1945.[9]

Science wasn’t the only interest Margaret had. She also published a lot of material, starting with Poems and Fancies in 1653. At the time, as William also was a writer, they believed it was truly her husband, using his wife’s name as a pen name. William always supported his wife, claiming it was always her own work. Margaret did the same but did credit William as a writing mentor. As Billing suggests, the pair actually relied on each other in print, in order to maintain a certain reputation in the public sphere: William as a supportive husband and loyal subject to the king, Margaret as a dutiful wife and writer in her own right.[10] It was for this that Margaret so wished to be remembered. Instead, society wished to rubbish her as a woman whose opinion on usually male dominated topics wasn’t required.

Margaret Cavendish (née Lucas), Duchess of Newcastle upon Tyne by Pieter Louis van Schuppen, © National Portrait Gallery, London

The relationship she had with William’s children and household also proved to be a rocky affair, probably not helped by the fact her marriage proved childless. Margaret blamed Henry, William’s longest surviving son, for abandoning his father during the exile. This alongside her unusual approach to societal norms caused a lot of tension within the family.[11] In October 1670, not long before the death of both William and Margaret, these tensions came to a head. William wrote over more of his lands to Margaret in the hope of sustaining her during her widowhood, believing he would die first (although sadly that was not to be the case).[12] This move angered William’s children, especially Henry, who believed she had had enough lands and was now stealing the inheritance. At the same time, William’s steward, Andrew Clayton, began to spread malicious rumours about Margaret, suggesting she was being unfaithful, and was purposefully stockpiling money and land to fund a second marriage after William’s death.[13] However, Margaret herself died on the 15th of December 1673 at their main house of Welbeck Abbey, nearly 3 years before William himself. Probably still hurt by the turn of events in 1670, William instead used the money he had saved for Margaret to begin reworking Nottingham Castle.[14]

Welbeck Abbey in Nottinghamshire, England from Jones’s Views of the Seats of Noblemen and Gentlemen, 1829

Sadly, I don’t have enough time or words to go into depth about the many works published by Margaret, or the influence they had. If you would like to know more, I would recommend looking into The Blazing World, often referenced as a proto-science fiction novel, almost Jules Verne in character. For now though, I hope this post has managed to highlight the unfair attitude that Margaret Cavendish was treated with in her own time. During the Seventeenth Century, intelligence in a woman, whilst accepted to a small degree, was often seen as far too dangerous, and in the case of Margaret, was dismissed as childish. However, she did have similar views to men in her field, but she was always excluded. From this, it is no surprise that she advocated for better education for women and believed that women were being forced to obey men.[15] That is why I am glad she married William, because without his support and understanding her as an equal to him, she wouldn’t have been allowed to follow her interests and talents. This can be seen in the epitaph he gave her tomb:

This Dutches was a wife wittie and learned lady, which her many books do well testifie. She was a most virtuous and a louieng and careful wife and was with her lord all the time of his banishment and miseries and when he came home never parted from him in his solitary retirements.[16]


[1] Worsley, L., Cavalier: The Story of a Seventeenth-Century Playboy (London: Fabor and Faber Ltd, 2007), p. 219.

[2] Worsley, L., Cavalier: The Story of a Seventeenth-Century Playboy, p. 223.

[3] British Library, Margaret Cavendish, https://www.bl.uk/people/margaret-cavendish

[4] Worsley, L., Cavalier: The Story of a Seventeenth-Century Playboy, p. 177.

[5] BL Add MS 32497, f. 11or, cited in Worsley, L., Cavalier: The Story of a Seventeenth-Century Playboy, p. 178.

[6] BL Add MS 32497, f. 11or, cited in Worsley, L., Cavalier: The Story of a Seventeenth-Century Playboy, p. 179.

[7] Wilkins, E., ‘Margaret Cavendish and the Royal Society’, Notes and Records of the Royal Society of London, 68.3 (2014), p. 247.

[8] Wilkins, E., ‘Margaret Cavendish and the Royal Society’, p. 248.

[9] Drury, P., Bolsover Castle Guidebook (London: English Heritage, Revised Edition, 2016), p. 43.

[10] Billing, V., ‘”Treble marriage”: Margaret Cavendish, William Newcastle, and Collaborative Authorship’, Journal for Early Modern Cultural Studies, 11.2 (2011), p. 95.

[11] Worsley, L., Cavalier: The Story of a Seventeenth-Century Playboy, pp. 229-230.

[12] Worsley, L., Cavalier: The Story of a Seventeenth-Century Playboy, p. 230.

[13] Drury, P., Bolsover Castle Guidebook, p. 43; Worsley, L., Cavalier: The Story of a Seventeenth-Century Playboy, p. 230.

[14] Drury, P., Bolsover Castle Guidebook, p. 43.

[15] Drury, P., Bolsover Castle Guidebook, p. 43; Worsley, L., Cavalier: The Story of a Seventeenth-Century Playboy, p. 223.

[16] Lees, L. E., ‘Introduction: A Glorious Resurrection’ in Lees, L. E. (ed), Margaret Cavendish (Manchester: Manchester University Press, 2003), p. 1.

The Star Chamber at Bolsover Castle

Since 2016, I have volunteered at Bolsover Castle in Derbyshire every summer as a guide. Sadly, this year I haven’t been able to return due to the pandemic, but the site is open daily between 10 am and 5 pm for pre-booked slots only.[1] I know I’m biased, but I would really recommend a visit if you can. It has a fascinating history and some wonderful period paintings which are well worth seeing. The castle is a wonderful mix of Stuart pleasure with the sense of nostalgia towards the medieval, as designed by father and son team Robert and John Smythson for the father and son owners, Charles and William Cavendish.[2] It has been recognised by some as “the most beautiful house in England, and one of the treasures of Western Europe”.[3] I will leave that judgement up to you if you ever visit, but I can imagine in its heyday, it would have been a spectacular sight to behold.

The first building phase of the current castle was between 1611 and 1617, following the footprint of an older medieval castle that was once in existence. This included the building known as the Little Castle, which was the main living accommodation until the Terrace Range was built in anticipation of a visit from Charles I and his wife, Henrietta Maria in 1634. The Little Castle was built as William Cavendish’s pleasure holiday home, as he mainly lived at Welbeck Abbey nearby. For this reason, it was sumptuously decorated and furnished. Each room had a theme and relevant imagery was used to show the classical and biblical knowledge of William.

The Little Castle (Author’s Own Image)

One of the most popular rooms in the Little Castle is the Star Chamber, mainly as it was refurnished in 2014 to replicate what it may have once looked like in the Stuart era, and as many visitors have noted, it feels the most homely. The tapestries are not original to the house, they are actually reproduced versions of original 17th century tapestries found at Blickling House in Norfolk. They were recreated by 3D printing onto linen but are still very effective.

The original interiors of the Little Castle, including the Star Chamber were completed roughly between 1619 and 1921. The Star Chamber itself was created as the main entertaining and reception space for the Castle. It would have originally been furnished with a large table to eat from, as well as many seats to be used either during banqueting or for watching or listening to entertainment, with a raised dais to be used by William and either his first wife, Elizabeth Basset, or his second wife, Margaret Lucas.

The Raised Dais (Author’s Own Image)

The theme of this room is biblical, with painted panels depicting old and new testament figures, the largest of which are King David and King Solomon. These contrast with the two painted panels in the corner, which would have once formed a door to a concealed privy. These depict men in armour, and it has been debated about who these are.[4] Some have claimed that it could be William and his brother. There was once another panel depicting a young boy with a pet cat, but sadly this was stolen.[5] Raylor argues that all the paintings in this room are an allegory for political and religious authority, which originated with these biblical figures, and was passed down not just to himself as the local landowner, but replicated in the monarchy.[6] This can be seen in the use of family crests, indicating where William’s personal authority comes from.

Interior of Star Chamber, showing ceiling, Wikimedia Commons

The reason the room is called the Star Chamber is because at some point following William’s death, an auditor named the rooms in an inventory. The Star Chamber took its name from the wonderfully elaborate ceiling, featuring 254 gold leaf stars. This was restored in 2000, when the coving had to be redone. During this process, the ceiling colour was changed. Prior to this, the colour had been a dark blue, to represent the night sky. During the investigation work, an original light blue colour was found underneath, and it was decided to return it to its sky-blue colour. The ceiling would have originally cost a fortune, as the sky-blue colour is blue verditer, which is created by smelting silver.[7] Also during the restoration, an original 17th century playing card was found underneath the coving. It was probably put there by one of the craftsmen who worked there, hoping to be remembered in some way centuries after he had completed his work. Unfortunately, the card is now at the British Museum, but it is only one of many hidden treasures found secreted away in many country houses across the country.

The Star Chamber Fireplace (Author’s Own Image)

The fireplaces throughout the Little Castle, are all made from Derbyshire stone and marble (other than the Italian Marble used in the Marble Closet) either mined in the Peak District, or more locally to the Castle. They all feature slightly different imagery, but the fireplace in the Star Chamber is the most carved and represents different parts of the Cavendish family. The Talbot dogs on the front are to remember George Talbot, the last of William’s grandmother, Bess of Hardwick’s husbands, and through who’s son, sold Bolsover to this side of the Cavendish family. The Cavendish crest is also wrapped around the sides. This is also the only fireplace to have received some damage. It was probably done by Parliamentarian forces who lived here during the Civil War, following William’s forced personal exile after his defeat at the Battle of Marston Moor in July 1644. Luckily for William, despite instructions to have the place destroyed, the Parliamentarians never did, instead choosing to sell it on in 1650.[8] William’s brother, Charles, saved stopped this sale by returning apologetically to England and brought back William’s estates.[9]

Despite not being able to return to Bolsover myself this year, I have extremely fond memories and hope to return next summer. I gave my first ever guided tour last year and it was received very well by visitors and was hoping to do some more this time, but sadly that wasn’t to be. I hope that this short history of one of the most popular rooms, although not my personal favourite (that’s the Heaven Closet), has been a guided tour of sorts, even if it’s in a very different way. By knowing the history and style of the house, it is almost like knowing William Cavendish himself. This very unique house is said to openly reflect his style and character.[10] If you ever have the chance to visit, remember that as you look around the rooms that are full of imagery that often seems to be puzzling to us. It’s just that for whatever reason, the meaning has somehow been lost to us to a certain extent.


[1] Bolsover Castle, English Heritage, https://www.english-heritage.org.uk/visit/places/bolsover-castle/

[2] Drury, P., Bolsover Castle Guidebook (London: English Heritage, Revised Edition, 2016), p. 3.

[3] T. Mowl, Elizabethan and Jacobean Style (1993), cited in Raylor, T., ‘“Pleasure Concealed as Virtue”: William Cavendish, Ben Jonson, and the Decorative Scheme of Bolsover Castle’, Renaissance Quarterly, 52.2 (1999), p. 402.

[4] Drury, P., Bolsover Castle Guidebook, p. 20.

[5] Raylor, T., ‘“Pleasure Concealed as Virtue”, p. 420.

[6] Raylor, T., ‘“Pleasure Concealed as Virtue”, p. 420.

[7] Drury, P., Bolsover Castle Guidebook, p. 20.

[8] Drury, P., Bolsover Castle Guidebook, p. 41.

[9] Drury, P., Bolsover Castle Guidebook, p. 41.

[10] Raylor, T., ‘“Pleasure Concealed as Virtue”, p. 404.

Royal Boats owned by Charles II

The 29th of May marks the birth of Charles II, one of my favourite historical figures. To celebrate this, and what is known as Oak Apple Day, I thought it rather fitting to look into some of the boats owned by the King. These two boats, the Royal Escape, used as a yacht and a royal barge. Both boats have interesting stories and quite personal connections for the Merry Monarch. Before talking about these boats, it is best to first of all explain what Oak Apple Day is and how it was celebrated.

Oak Apple Day was made a national holiday following the Restoration of Charles II to the throne in 1660. It was named Oak Apple to remember the oak tree Charles hid in during his 6 weeks trying to escape England following the Royalist defeat at the Battle of Worcester. The 29th of May was chosen for this because it was the Charles’ birthday and the day he made his triumphal entry into London in 1660. This national holiday was celebrated until the Victorian period, when it was abolished by Parliament in 1859.[1] It is still commemorated in small pockets of the country, most notably at the Royal Hospital in Chelsea, who use the time to celebrate Charles II as their founder.[2] It is usually marked with a visit by a member of the royal family, but unfortunately like so many other things at the moment, it will be marked in some other way this year.



The Royal Hospital, Chelsea: view of the Pensioners cheering and waving their hats and sticks, at a King Charles’s Day Parade. Wood engraving. Credit: Wellcome CollectionAttribution 4.0 International (CC BY 4.0)

For Charles, his escape from the Battle of Worcester must have been an experience full of fear, uncertainty and exhilaration. At the time he would have had no idea whether he would make it to France safely or ever see England again if he got there. It is no wonder that he made Oak Apple Day a national holiday. The boat that was instrumental in his escape was called the Surprise. It was owned by a man called Tatersal who lived on the south coast near Brighton. Ironically, the ship had been intercepted by a Royalist squadron in the years before the Battle of Worcester, but Charles had intervened and let Tatersal go.[3] Little did they know then the part they’d later play in each other’s lives. When Charles escaped on the Surprise, Tatersal was the only crew member who knew Charles and his plans to escape to France, the rest of the crew instead believed he was a fellow merchant wanting to go further along the coast to escape debts.


Willem van de Velde the Younger, The Royal Escape Close-Hauled in a Breeze, Late 17th Century, National Maritime Museum Greenwich/WikiCommons

Following the Restoration, the Surprise was purchased for Charles, renamed the Royal Escape, and turned into a royal yacht as a tourist attraction to show visiting dignitaries.[4] Owning a royal yacht sounds like a modern thing for British royalty but actually, Charles was the first monarch to own one.[5] Tatersal was greatly rewarded, despite his cheekiness in asking for more payment once he realised who Charles really was. He was given a pension and a captaincy in the Navy, as well as being given a role in the procession following Charles’ return from Holland.[6] This new lifestyle in the Navy didn’t last long for Tatersal as he went back to owning smaller ships and in his final years he became a landlord at the Old Ship Hotel before dying aged 60 in 1674.[7] His body was buried in St Nicholas’ Church in Brighton with a rather grand tombstone, with the inscription saying how he had “preserved the Church, Crown and the Nation”.[8] The Royal Surprise was rebuilt as a transport ship in 1714 and 1736 before being sold on in 1750, but it’s name was reused for subsequent ships.[9]

As a bit of a research rabbit hole when trying to find out more about the Surprise/Royal Escape, I found another interesting story of Charles II’s royal barge. This barge as another of Charles’ boats to have a fascinating life upon the waves, albeit on the River Thames as well as the ocean at Portsmouth. It is now housed at the National Museum of the Royal Navy at Portsmouth, which is a fitting home considering its main role to ferry Charles around the fleet of the Navy on inspections.[10] The woman sculptured at the stern (back) of the boat was Louise de Kerouaille, Duchess of Portsmouth, a mistress of Charles, thus cementing the boat’s connections with Portsmouth itself even more.[11] After Charles’ death in 1685, that was not the end of the life for the royal barge. Whilst it probably lay dormant for many decades, it was brought back to life for the funeral of Horatio Nelson, the most famous of British seaman.


Royal Barge of Charles II, Flickr: Andrea Vail

Charles’ royal barge was used to carry Nelson’s coffin to the Admiralty Building amongst a flotilla of other boats along the Thames after the body had laid in state at Greenwich for 3 days.[12] The choice of a royal barge in Nelson’s state funeral showed the high esteem the Admiral was held in. During this first part of the funeral along the Thames, was a solemn affair but the Navy played a large part too, providing an escort and giving gun salutes.[13] Trafalgar veterans were also used during the funeral, mainly to take the coffin off the royal barge when it arrived at the Admiralty. This, alongside the 20,000-30,000 people who were in attendance along the funeral route to St Pauls the following day, created a patriotic image that helped cement Nelson as an immortal figure in the naval legacy of Britain.[14] As the royal barge used during this procession had originally been used by Charles II to inspect the navy, it was fitting to use it for the funeral of the hero of Trafalgar.


The funeral procession on the River Thames of Lord Nelson seen from Bankside. Coloured etching by John Thomas Smith, 1806. Credit: Wellcome CollectionAttribution 4.0 International (CC BY 4.0)

On the 390th anniversary of the birth of Charles II and Oak Apple Day, I hope this blog post has highlighted some of the boats used by the monarch that have incredible, if somewhat forgotten, stories behind them. Charles himself did love ships himself and wanted to improve the navy but unfortunately there was never enough money to do these improvements. However, during his reign the Act of Establishing Articles and Orders for the Regulating and Better Government of His Majesty’s Navies, Ships of War and Forces by Sea was passed, the first set of articles that made the navy a professional fighting force.[15] Perhaps Charles himself would have been proud that one of his barges was used in a funeral for the man who had helped make the British Navy become a legend of sorts following the Battle of Trafalgar.

[1] Beardsley, M. R., Charles II and His Escape into Exile (Barnsley: Pen and Sword, 2019), p. 148.

[2] Beardsley, M. R., Charles II and His Escape into Exile, p. 149.

[3] Beardsley, M. R., Charles II and His Escape into Exile, p. 116.

[4] Beardsley, M. R., Charles II and His Escape into Exile, p. 116.

[5] Royal Yacht Britannia,  https://www.royalyachtbritannia.co.uk/about/history/

[6] Beardsley, M. R., Charles II and His Escape into Exile, p. 116.

[7] Beardsley, M. R., Charles II and His Escape into Exile, p. 116.

[8] Beardsley, M. R., Charles II and His Escape into Exile, p. 116.

[9] Colledge, J. J. and Warlow, B., Ships of the Royal Navy: The Complete Record of All Fighting Ships of the Royal Navy from the 15th Century to the Present (Havertown, PA: Casemate, 2010), p. 347;  Winfield, R., British Warships in the Age of Sail 1714-1792: Design, Construction, Careers and Fates (Barnsley: Seaforth Publishing, 2007), p. 367.

[10] The National Royal Navy Museum, Curator’s Choice: The Royal Barge https://www.nmrn.org.uk/news-events/nmrn-blog/curators-choice-royal-barge

[11] The National Royal Navy Museum, Curator’s Choice: The Royal Barge https://www.nmrn.org.uk/news-events/nmrn-blog/curators-choice-royal-barge

[12] The National Royal Navy Museum, Curator’s Choice: The Royal Barge https://www.nmrn.org.uk/news-events/nmrn-blog/curators-choice-royal-barge; Heard, S., ‘Sir Isaac Heard: the man who helped the nation mourn Nelson’, Royal Museums Greenwich Blog, 12 June 2019, https://www.rmg.co.uk/discover/behind-the-scenes/blog/sir-isaac-heard-man-who-helped-nation-mourn-nelson

[13] Heard, S., ‘Sir Isaac Heard: the man who helped the nation mourn Nelson’, Royal Museums Greenwich Blog, 12 June 2019, https://www.rmg.co.uk/discover/behind-the-scenes/blog/sir-isaac-heard-man-who-helped-nation-mourn-nelson; Konstam, A., Horatio Nelson (Oxford: Osprey Publishing, 2011), p. 56.

[14] Konstam, A., Horatio Nelson, p. 57; Jenks, T., ‘Contesting the Hero: The Funeral of Admiral Lord Nelson’, Journal of British Studies, 39.4 (2000), pp. 423 and 437.

[15] Davies, J. D., ‘The Navy, Parliament and Political Crisis in the reign of Charles II’, The Historical Journal, 36.2 (1992), p. 272.

William Hiseland: the Oldest of the Original Chelsea Pensioners

The pensioners of the Royal Hospital Chelsea are iconic with their red coats and tricorn hats. After recently reading a book on the hospital, I was surprised to learn that this uniform is only the ceremonial uniform and not the everyday wear of the pensioners. I was even more surprised to learn about one rather special resident, William Hiseland (is also seen spelt as Hiseland/Hizeland or Hadeland), who lived until he was 111. It is believed that William was born on the 6th of August 1620 and he died 7th of February 1732. Even today anyone living over 100 is an amazing achievement, but to have managed this in the late 17th and early 18th century seems more surreal!

chelsea pensioner
E. R. White, A group of Chelsea Pensioners disputing in the Hall at the Royal Hospital Credit: Wellcome CollectionAttribution 4.0 International (CC BY 4.0)

As if living to over 100 wasn’t an achievement enough, that is only part of his story and how he ended up as a Chelsea Pensioner. First of all, he was actually one of the first Chelsea Pensioners to live at the hospital as it had only opened its doors in 1692 to elderly veterans.[1] It’s uncertain as to when exactly he first came to live at the hospital, but its thought to have been around 1713.[2] When the hospital was first established, they served ‘in pensioners’, who lived within the hospital and had forfeited their pension to pay for their care, or those ‘out pensioners’, who were paid their army pension by the hospital but were living elsewhere.

William himself was given a pension of 1 crown (5 shillings) when he retired aged 93, which was paid by Charles Lennox, the 1st Duke of Richmond, and Robert Walpole, the first Prime Minister. To actually be a part of the army until such an old age is something amazing, but when you look further into his military career, things get even more interesting. It’s believed that he first entered the army at the age of 13 in 1633, but unfortunately there was nothing to corroborate this. Whether this is true or not, it is known that the first significant battle he took part in was at Edgehill, the first pitched battle of the English Civil War.[3] Having survived the Civil War, he also fought in William III’s wars in Ireland in 1689, by which time he would have been nearly 70.[4] By this point, you’d have expected the elderly veteran to think about taking things easy, especially as he had already gone past the average life expectancy at the time of 35-40.[5] He literally kept soldiering on!

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The Royal Hospital, Chelsea: viewed from the Surrey bank with boats on the river (1776) Credit: Wellcome CollectionAttribution 4.0 International (CC BY 4.0)

The next war he was to be found in was as part of the Grand Alliance army made up of Britain, the Holy Roman Empire, Austria, United Provinces (now Holland) and Danish Auxiliary Corps during the War of Spanish Succession against France. At the Battle of Malplaquet, William was believed to have been 89. Whatever his real age was, he was definitely the oldest man on the battlefield.[6] It’s not known as to how much fighting personally did whilst serving in his older years, but to even still be part of the army was a major achievement. From all this dedication to his country, it’s no wonder that William Hiseland became one of the first pensioners to live at the Royal Chelsea Hospital.

The adventurousness in his character didn’t stop when he became a resident at the hospital. In 1723, he left the comfort of the hospital to get married. In pensioners were not allowed to be married as the pension would be forfeited and as a dependent, any wife would need support. Some sources claim that this was his only marriage, but others suggest he may have had up to 3 wives after the age of 100.[7] Whichever of those statements is right, William’s wife died and he returned to being a pensioner at the Chelsea Hospital, living there until his own death as the last living soldier of the English Civil War.[8] His grave can be found in the cemetery in the grounds of the hospital and is located near to the first ever pensioner admitted, Simon Box.[9]

RHC_1016
William Hiseland Portrait, Royal Chelsea Hospital Museum

The fact that a portrait of this extraordinary veteran survives (see above) shows just how much others at the time believed this man should be remembered. The epitaph carved into his gravestone also tells the story and brings his character to life:

Here lies William Hiseland a veteran if ever a soldier was, who merited well a pension. If long service be a merit having served upwards of the days of man ancient but not superannuated, engaged in a series of wars, civil as well as foreign, yet not maimed or worn out by either. His complexion was fresh and florid, his health, hale and hearty, his memory exact, and ready in stature. He surpassed the prime of youth and what rendered his age, still more patriarchal, when above one hundred years old he took unto him a wife. Read fellow soldiers and reflect that there is a spiritual welfare as well as a welfare temporal.”

I think William’s obvious patriotism and love for the career he had chosen for 70 odd years is an inspiration to us all.

[1] Rochester, J., The Royal Hospital Chelsea: a Brief History, talk given to the Sherbourne Historical Society, 5 November 2019, https://www.sherbornehistoricalsociety.co.uk/upcoming-talks/the-royal-hospital-chelsea-a-brief-history/57

[2] Wynn, S. and Wynn, T., A History of the Royal Hospital Chelsea, 1682-2017 (Barnsley: Pen & Sword, 2019), p. 44.

[3] Wynn, S. and Wynn, T., A History of the Royal Hospital Chelsea, p. 43.

[4] Wynn, S. and Wynn, T., A History of the Royal Hospital Chelsea, p. 43.

[5] Lambert, T., A Brief History of Life Expectency http://www.localhistories.org/life.html

[6] Wynn, S. and Wynn, T., A History of the Royal Hospital Chelsea, p. 43.

[7] Wynn, S. and Wynn, T., A History of the Royal Hospital Chelsea, p. 43; Faulkner, T., An Historical and Typographical Description of Chelsea, and its Environs, Vol 2 (1829), p. 265.

[8] Wynn, S. and Wynn, T., A History of the Royal Hospital Chelsea, pp. 43-44.

[9] Rochester, J., The Royal Hospital Chelsea: a Brief History, talk given to the Sherbourne Historical Society, 5 November 2019, https://www.sherbornehistoricalsociety.co.uk/upcoming-talks/the-royal-hospital-chelsea-a-brief-history/57