End of 2021 Thanks and Update

For me, just like everyone else, 2021 has been yet another hard year. I sincerely hope that 2022 is a better year for all of us, although I definitely remember saying the same thing at the end of 2020. I have been suffering from a foot injury since May, which is only just starting to get a bit better. Sadly that has meant not being able to do much and certainly not drive, which has been the most frustrating. At least it has meant I have had more of an opportunity to write more when I can.

Before I go on to give a further update on things, I just want to take the time to thank each and every person who has read, shared, liked and followed the blog this year. It genuinely has meant to much to me that the blog has brought people enjoyment through such tough times. This year has been the best year for views since I started this blog three years ago. The best post of all this year has been on Brushy Bill Roberts, a man who claimed to be the infamous Billy the Kid. That can be read here. All that is down to all of you readers, so sending lots of virtual love and hugs your way!

Photograph of Brushy Bill Roberts

A new thing this year has been guest posts from other writers. It has meant a lot to me that others have wanted to contribute in various ways. I’ve certainly enjoyed hosting them, so I hope you’ve also enjoyed the very interesting content they’ve created, just as much as I have reading them too. Look out for more of this next year too, with lots more interesting topics. I can definitely promise you that! I have also done quite a few guest posts on other blogs, which has also been an honour.

Another wonderful first was attending the Jane Austen festival in Bath. I should have visited last year, but Covid circumstances meant it was cancelled. As a lifetime Jane Austen fan, this was something I really wanted to do. My sister made our dresses and I must admit she made did a brilliant job with them considering she’d never really sewed historical costumes before. I would definitely recommend it to anyone interested, even if it was just to witness the amount of people in Regency dress walking around Bath.

There have been lots of firsts this year too. I’ve also done two of my first ever online talks on my research into the life of Anthony Woodville, brother of Queen Elizabeth Woodville, the wife of Edward IV. I never would have thought that possible not long ago. One was alongside author and historian, Michele Schindler, for the Be Bold History Network, on the connection between Anthony and Richard III and Francis Lovell, the most trusted friend of Richard. This can be viewed here if you would like. The other I did was a brief talk based on an academic poster for this year’s conference held by the Royal Studies Network based on Anthony’s role as educator of Edward V. Another first for me was being a guest on the Tudor Dynasty podcast on William Caxton’s contribution to printing in England in the late fifteenth century, with lots of mention of Edward IV and Anthony Woodville thrown in. If you’d like to listen to that, it can be found here.

The most exciting announcement I have to make is one that means the world to me. For the last seven years, I have been researching about the life of Anthony Woodville, with the dream of one day writing a book on this often overlooked figure from the Wars of the Roses. I approached a publisher back in 2019 with little success, but this summer, I decided to try again with a different publisher. Earlier this month, I found that it has been accepted and it has a hand in date of May 2023. I hope that in the future, you will look forward to this as this project honestly means so much to me. Thank you for all of you who have so far supported my research, it will be of so much help whilst writing the book. Special mention must go to Kevin and Alan, volunteers at Pontefract and Sandal Castles, who have already been extremely helpful. They have been creating a very useful website on the history of both sites. It can be found here.

Portrait of a young gentleman, said to be Anthony Babington, Wikimedia Commons

This shouldn’t hinder the blog, so I hope that you can continue to enjoy the blog in the coming year. There are lots of interesting topics planned ranging from Victorian prison hulks, medieval London, to pioneering women. I hope they’ll be something there for you to enjoy. The first posts coming in January 2022 are linked to Mary Queen of Scots, including one about Anthony Babington, a local landowner that once owned my hometown in Derbyshire, who was involved in the Catholic plot that resulted in the execution of Mary Queen of Scots.

All that is left now is to wish you all a healthy and much better 2022. May it be a better one for all of us. Most importantly, thank you all once again for your support over the last year. Each and every view, like and share means a lot to me, so I pass on my hearty thanks and love to all of you.

Gift Ideas for History Lovers: My Top 5 History Reads of the Year

It can be hard to know what to get the history lovers in your life when it comes to Christmas, especially if, like me, they’re interested in more than one period. If you need a bit of inspiration this year, then here’s a list of my top five history books that I’ve read this year. It’s a mixture of different periods and some fiction and non-fiction, so hopefully there’s something for everybody there.

Jane Austen Investigates: The Abbey Mystery, by Julia Golding

Whilst this is technically a children’s fiction book, it is well suited for Jane Austen fans of all ages. A teenage Jane Austen turns supersleuth when mysterious goings-on happen at Southmoor Abbey, where she has been sent to be a companion of Lady Cromwell for a week. It’s written in a very entertaining way and is a satirical version of a Gothic novel, full of many hints of the real Jane which will be recognised by hardened fans. It’s also a good way to introduce younger readers to the world of Jane Austen. This has definitely been one of my favourite books and I found it quite hard to put down! If you would like to know a bit more, I recently wrote a review for Love British History, which can be found here.

The Real Falstaff: Sir John Fastolf and the Hundred Years War by Stephen Cooper

This book places the Hundred Years War in the context of John Fastolf, the man Shakespeare used as inspiration for his Falstaff character. It successfully blends military history and social history with the personal life of John Fastolf. It gives you a great understanding of how Fastolf fit in and influenced the world around him until his death in the 1450s, including a focus on the homes he built for himself. All in all, a very interesting read and shows just why Fastolf isn’t recognised enough.

Sitting Bull: His Life and Legacy by Ernie LaPointe

In this book, Ernie LaPointe, great-grandson of the legendary Chief Sitting Bull, tells the real story of his famous ancestor. This is a biography with a difference. It’s written in the traditional style of Lakota oral history. This makes it read very differently to other books, but feels true to the person of Sitting Bull. It also makes it easy to read. Again this is up there with one of my favourite books of all time as it is full of emotion but is also education in the respect it shows just how complicated history has portrayed Sitting Bull. I wrote a review of this earlier in the year, so please do take a look here if you’re interested.

Before the Crown by Flora Harding

This is another fiction book, but this time an adult one. I was recently given this by a friend as a gift, so I would definitely recommend gifting this one. It tells the story of how Queen Elizabeth II and Prince Philip fell in love during the war and the lead up to their wedding on the 20th November 1947. Whilst this isn’t my usual time period, my friend obviously remembered that I have a personal connection to the Queen’s wedding day as my mum was born on the exact same day. I feel this has captured a young Elizabeth and Philip well and is also a very easy read. This would definitely be a good choice for any Royal fan!

Saving Mona Lisa: The Battle to Protect the Louvre and Its Treasures from the Nazis

Again this isn’t my usual time period, but I read this mainly because I have been a regular visitor to the Louvre, but was unaware of the troubles the museum had had during the Second World War. Whilst this is a non-fiction book, it does read more like an action or thriller story as the museum staff risked their lives to protect the treasures in their care. Again this makes it an enjoyable read and really focuses on the individuals involved and their sacrifices, as well as the personal achievements and recognition they had after the war ended. I recently wrote a review of this, which can be found here.

Book Review of Saving Mona Lisa: The Battle to Protect the Louvre and Its Treasures from the Nazis by Gerri Chanel

I’m not usually a fan of World War Two, although I know many others are, so this book was an unusual choice for me. I really brought it as I have visited the Louvre many times and didn’t know the story of how the museum had dealt with keeping the priceless treasures safe during a time of war. After reading this book, which describes the dangerous situations, often at the threat of the lives of museum staff, as well as the many times the art was nearly taken by the Nazis, has made me realise just how much we take these amazing institutions for granted. It does try and focus on a good mixture of the fate of the curators and other museum staff, as well as their families. There is a keen focus on Jacques Jaujard, the Director of the Musee Nationaux, who was instrumental to the evacuation process and dealing with the Nazis once they occupied France. This gives the book a very personal feel and at some points, makes the reader feel very connected with those involved.

Whilst the book doesn’t instantly talk about the evacuation, I thought the background on how the Louvre became a museum, as well as explanations as to why the staff had learnt from previous threats to the museum, all contribute to a greater understanding of the challenges and logistics required to organise such a venture.

Despite the title, the book does cover all the art evacuated from the Louvre, and other French museums in preparation for the Second World War, which had to be spread across many different chateaus for safety reasons. I do like though that it covers all the art works, with mentions of the Mona Lisa sprinkled throughout. Personally I liked this as I felt a bit disappointed at easing the Mona Lisa, as I much preferred other paintings in the museum. This also helps to demonstrate the enormous challenges the staff faced in such an evacuation, especially with the larger paintings and sculptures. Whilst I enjoyed this part, I feel others would find this hard to get into as it is more background context than specifically focuses on the World War Two topic promised. However, if this isn’t to your taste, once you get a few chapters in, you won’t be disappointed.

There are some graphic description of violence and war, which is to be expected considering the topic, but I must admit these parts were hard to read. Although these are important to the narrative and explain the genuine dangers the museum staff had to contend with. I would be prepared for these as I had to take a break from reading at this point. These, alongside mentions of wider war issues, such as food shortages, the difference between Occupied and Vichy France, could have used with better context, but I understand this wasn’t necessarily the scope of this book. However, it could easily be used as a platform for further learning about the period.

I do especially like the epilogue, which mentions what happened to the main people after the end of the war, including the awards given in recognition for the courage, bravery and can do attitude that all museum staff had in the face of great adversity. This was a touching tribute and I must admit I was quite emotional to see the recognition the staff had received. It was a very fitting way to end what is a very fascinating and easy read. Thank you to Gerri Chanel for writing this book in acknowledgment for the achievements of the staff.

I would definitely recommend this book as the easy writing style made it very hard to put down. Whilst it’s a nonfiction book, it very much reads like a novel in its easy style, reading much like an adventure story. This has definitely been one of my favourite books that I’ve read this year. Whenever I am finally able to go back to Paris, especially the Louvre, I will now look on it in a new and grateful light for the sacrifice the staff and their families made at the time to keep the art protected for the world, not just for France.

Book Review of Sitting Bull: His Life and Legacy

If you are a regular reader of the blog, you may remember a post I did at the end of last year about the murder of Sitting Bull, the chief of the Lakota nation who fought for the rights of Native Americans and their way of life. This is a cause very close to my heart and I have much respect for Sitting Bull and the Native American way of life in general. This post is something a bit different as I’ll be reviewing a book I asked for at Christmas, written by a descendant of Sitting Bull, Ernie LaPointe. I decided to do a book review because I feel the message of the book is a particularly important one and needs to be shared with others.

Sitting Bull: His Life and Legacy by Ernie LaPointe

Ernie LaPointe, the author of Sitting Bull: His Life and Legacy, is a great-grandson of Sitting Bull, and just like his ancestor, is an advocate of the traditional way of life of the Lakota and seeks to tell the truth of the life of the famous chief. I believe this book manages to successfully do both of these things as Sitting Bull’s life is retold in the oral tradition, almost like a story, rather than chronologically. This made it a very easy read and contributed to me not wanting to put the book down.

For me, I have never been so emotionally connected to a book in a very long time. The early parts of Sitting Bull’s life are told in a way which reflects the characteristics highly prized by the Lakota: honour, respect, humbleness and compassion. All of these traits are something I have always associated with Sitting Bull, so I especially liked learning the circumstances he showed these from an early age. The great chief showed these despite the hard times, including the loss of many loved ones, which I find utter commendable.

If you are looking for more information on Sitting Bull’s time in Buffalo Bill’s Wild West Show, you’ll probably be disappointed as this only grants a couple of paragraphs. Personally, I don’t feel that is a problem as the sole purpose of the book is to show the character of Sitting Bull, which of course is not defined by his time in the Wild West Show, but more in the personal moments, of which the book is full of.

The book contains quite a few appendices that may put people off, but I found that these helped explain the animosity that has arisen from the descendants of One Bull, the nephew who was part of the Indian Police who arrested and killed Sitting Bull in 1890, against the direct descendants of Sitting Bull through his children. Perhaps the most useful of these is a glossary explaining the many many Lakota words found in the text. I did quite enjoy learning these words, although I’m pretty sure my pronunciation is terrible.

All in all, I found this a very enjoyable and educational book. It helps to demyth some of the life of Sitting Bull that has been given to us by white historians, rather than through the Lakota oral tradition. This is partly because one of the early historians never visited the children of Sitting Bull, despite the fact they were all present at the time of his murder. I would thoroughly recommend this book to anyone who is interested in the life of Sitting Bull, or the way of life of the Native Americans. After reading this, I now have a newfound respect for the chief, even more than I already had. I hope that if you read it too, you would feel the same.

To read more on the murder of Sitting Bull, please have a read of my post on the subject using the following link.

Jane Austen During World War One

Jane Austen is one of Britain’s most well-known and best loved authors. Alongside Dickens, she is definitely my favourite author. There is something happy and uplifting about her novels. It also helps that you can find lots of other things to fill your Austen need. You can so easily find sequels, academic articles, merchandise, virtually anything related to Austen or her novels. Admittedly this ‘Austenmania’ started in the 1990s with a number of TV and film adaptations, with Colin Firth as Mr Darcy in Pride and Prejudice being the one that comes to mind the most. However, this type of fame has been hard come by and the beginnings of it certainly didn’t come into force until the late nineteenth century.

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Engraving of a young Jane Austen based on a sketch by Cassandra Austen from James Edward Austen-Leigh’s 1870 Memoirs, Wikimedia Commons

The term ‘Janeite’ that is usually given to Jane Austen fans was only invented in 1894 by George Saintsbury, a writer and literary historian.[1] Whilst this was nearly 80 years after the author’s death, this was mainly due to her unpopularity in the Victorian period. To the Victorians, Jane Austen’s novels didn’t conform to their ideals as her heroines were “ungenteel” and they often made fun of the clergy.[2] It was only after the publishing of her nephew James Edward Austen-Leigh’s biography of his little known aunt in 1870 that her image began to change to a domestic woman, reflecting Victorian expectations of femininity.[3] Whilst this helped to increase Jane’s popularity, it was only seen in a select group of people. The types of people known to be Janeites at this time were mainly men, which is surprising as contemporary society views Austen’s fans as largely women. These men were largely publishers, professors, novelists and other literati, including Montague Summers (novelist and clergyman), R. W. Chapman (editor of Jane Austen’s works) and E. M. Forster.[4] The status of these admirers meant that they flaunted the idea that they were part of a select cult who viewed her works as miracles that were above that of authors who others read.[5]

With the outbreak of the First World War, ideas on reading began to change. The National Home Reading Union’s Annual General Meeting just three months after the start of the war invited Michael Sadler, a recognised educationalist at the time to be a guest speaker. In his speech he suggested that reading was needed to keep “minds fresh and sane” and that reading “good fiction” would do this.[6] This appeal applied to those at home and on the front lines. The speech was then published and distributed to many soldiers’ camps to know this also applied to them.[7]

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John Warwick Brooke, Highland Gas Sentry Reading a Letter from Home, National Library of Scotland

Reading fiction became a part of war life as it was an easy way to distract and provide entertainment but also bolstered patriotic sentiments.[8] The patriotic feeling this brought was by an increased understanding of what British culture was and what was at risk. To some, reading books was just as important as letter writing to loved ones back home as it helped to “overcome perceived boundaries between home and battle fronts” and helped maintain pre-war identities and interests.[9]

For Jane Austen’s novels, they often became a lifeline for fighting soldiers. Siegfried Sassoon was one of many who would have read Austen during his time in the trenches.[10] It’s claimed that Pride and Prejudice was the most read of all books by soldiers during the First World War.[11] There may be some truth in this as Austen and Dickens were the main authors prescribed by doctors to wounded soldiers and those suffering from shell shock.[12] Perhaps these choices were made because by the time of the First World War, Jane Austen had come to represent Englishness that soldiers were fighting for and helped give a nostalgic view that England had remained unchanged from the past which was seen in these Georgian era novels.[13] Unfortunately, those serving in the trenches were living a very different reality of war than George Wickham’s militia regiment. Surely though it would have made some difference of distraction to those who were bored or injured.

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C.E Brock, ‘Love and Eloquence’ from Macmillan’s 1895 edition of Jane Austen’s Pride and Prejudice, British Library

The 6 novels of Jane Austen may have even been read out in groups. Reading in the trenches had to be more informal than people at home as it had to fit around active service.[14] To ensure this happened many charities were set up to send mainly donated books to the front lines. These included the Camp Libraries, Red Cross Library, St John’s War Library Committee and Worker’s Educational Association, who between them sent active and wounded soldiers, as well as prisoners of war.[15] Jane Austen’s books would have been included in these as ensuring that soldiers read good quality fiction was seen as a way of stopping them from seeking unacceptable entertainment elsewhere, particularly in taverns and brothels.[16]

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World War One: Islington Public Library used as a hospital ward. Photograph by Langfier Ltd., 1916. Credit: Wellcome CollectionAttribution 4.0 International (CC BY 4.0)

Regardless of the reasons why Austen was given to soldiers to read, there is no doubting the unity a love of the author can bring, either today or in the past. This was something Rudyard Kipling knew in his story The Janeites he wrote about a group of WW1 soldiers who found solidarity over their love of Jane Austen. The story was published in May 1924 in an international magazine called Storyteller. The men purposefully named a loud gun Lady Catherine de Bugg as a joke about the infamous Lady Catherine de Bourgh from Pride and Prejudice.[17] The idea for the story came from a visit Kipling took to Bath in 1915 and from his time researching the history of his son John’s regiment, following his death in the First World War.[18] Following his son’s death, Kipling read aloud all of the Austen books to his family, using it as a tool for solace, just as many of the soldiers on the front also did.[19]

Just as we today often read Jane Austen as a source of refuge and distraction from difficult times, so did the soldiers having to endure the hell of the trenches. I only hope that it really did offer the comfort they craved and helped to be a defence against the war environment around them.[20] What is certain is that the popularity of reading books during the First World War had been vital for helping soldiers and civilians alike. By the end of March 1919, Britain had sent 16 million books to the front.[21] The Red Cross alone had sent 2.8 million donated ones and 1.2 brought ones to fill these frontline libraries.[22] Even on the Homefront the amount of patronage for public libraries increased.[23] Jane Austen’s works would have played a part in this. As William Dean Howells notes, Austen “has not yet died” because of her enduring popularity and this is even more the case during WW1 as it helped those in their time of extreme need and possibly even in their own dying moments.[24] No wonder that at the time she was seen as a redemptive figure who was part of England’s bygone glory and a symbol for a soldiers duty to protect it.[25]

[1] Johnson, C. L., Jane Austen’s Cults and Cultures (Chicago: University of Chicago Press, 2012), p. 8.

[2] Fullerton, S., Happily Ever After: Celebrating Jane Austen’s Pride and Prejudice (London: Frances Lincoln Limited, 2013), pp. 22-23.

[3] Fullerton, S., Happily Ever After, p. 23.

[4] Johnson, C. L., Jane Austen’s Cults and Cultures, p. 8.

[5] Johnson, C. L., Jane Austen’s Cults and Cultures, pp. 8-9.

[6] Liebich, S., ‘Reading as War Effort: The National Home Reading Union During the First World War’, First World War Studies (2015), p. 2.

[7] National Home Reading Union, ‘Work Among the Troops’, HRM, XXVI, no. 4 (Jan 1915) cited in Liebich, S., ‘Reading as War Effort’, p. 2.

[8] J. Potter, Boys in Khaki, Girls in Print: Women’s Literary Responses to the Great War, 1914-1918 (2005) cited in Liebich, S., ‘Reading as War Effort’, p. 2.

[9]  Liebich, S., ‘Reading as War Effort’, pp. 9-10

[10] Fullerton, S., Happily Ever After, p. 24.

[11] Fullerton, S., Happily Ever After, p. 24.

[12] Sutcliffe, M., ‘Reading at the Front: Books and Soldiers in the First World War’, Paedagogica Historica (2016), p. 5.

[13] Fullerton, S., Happily Ever After, p. 24; Roper, M., ‘Nostalgia as an Emotional Experience in the Great War’, The Historical Journal, 54.2 (2011), p. 441.

[14] Liebich, S., ‘Reading as War Effort’, p. 10.

[15] Liebich, S., ‘Reading as War Effort’, p. 11.

[16] Sutcliffe, M., ‘Reading at the Front’, p. 5.

[17] Fullerton, S., Happily Ever After, p. 24.

[18] Lewis, L. and Kieffer, G., ‘The Janeites’, http://www.kiplingsociety.co.uk/rg_janeites1.htm

[19] Lewis, L. and Kieffer, G., ‘The Janeites’, http://www.kiplingsociety.co.uk/rg_janeites1.htm

[20] Roper, M., ‘Nostalgia as an Emotional Experience in the Great War’, p. 439.

[21] Sutcliffe, M., ‘Reading at the Front’, p. 4.

[22] British Red Cross, What We Did During the War, https://vad.redcross.org.uk/en/What-we-did-during-the-war

[23] A. Ellis, Public Libraries and the First World War (1975) cited in Liebich, S., ‘Reading as War Effort’, p. 2.

[24] William Dean Howells cited in Johnson, C. L., Jane Austen’s Cults and Cultures, p. 8.

[25] Johnson, C. L., ‘Jane Austen’s Cults and Cultures’ in Copeland, E. and McMaster, J. (eds), The Cambridge Companion to Jane Austen, Second Edition (Cambridge: Cambridge University Press, 2011), p. 239.

Anthony Woodville and the first English printed book

The Wars of the Roses is a period that many find fascinating, including myself. With such great figures as Edward IV, Elizabeth Woodville, Richard Duke of York, Richard III and the Earl of Warwick, it can be such an action packed era to look at. As a longstanding member of the Richard III Society, I have been associated with those involved in the conflict for a while now but it was not until I became a history student at Derby University did I want to learn more than just the basics.  However, as much as I have loved learning about these people, there was one who instantly stood out for me, Anthony Woodville. Personally I think that he is one of the underrated characters of the period. Without his thirst for knowledge, we wouldn’t have had printed books in England as early as the late fifteenth century, for Anthony was William Caxton’s patron and encouraged him to bring his printing industry from Burgundy to London. He was a man who was dedicated to family, religion and chivalry. Most importantly, he was one of the best tournament champions in England at the time.

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Anthony Woodville, Earl Rivers, presenting his translation of the Dictes and Sayings of the Philosophers to Edward IV, 19th Century (Private Collection: Look and Learn)

Anthony was the oldest surviving child of Richard and Jacquetta Woodville (the dowager duchess of Bedford). Still, he seems to have been outshadowed by his much more famous sister, Elizabeth Woodville, the wife of Edward IV. It is clear that both Anthony and Elizabeth had a strong relationship as he helped defend her when Lancastrian ships attacked London. He was also within Edward IV’s confidence as he accompanied him into exile in Burgundy in 1470.[1] It was during this time in exile that it is believed Anthony first became acquainted with William Caxton, a writer and printer in Bruges. With a shared interest in books, Anthony soon became Caxton’s patron and persuaded him to relocate to London upon their return.[2] It was in 1476 that Caxton is known to have set up his printing press and books translated by Anthony were soon in publication. The Dictes and Sayings of Philosophers was translated into English by Anthony and was the first book with an accurate date to be published in England in 1477.[3] It is a collection of wisdoms by ancient philosophers. The translation was taken from a French version of the original Arabic.[4] This French version was discovered by Anthony during one of his many pilgrimages, this one was to Santiago de Compostela in Spain.[5]

The translation of The Dictes and Sayings came at a time of hardship in Anthony’s personal life. It is believed to have been translated not long after the death of his mother, Jacquetta, in 1472 and a pointless mission to Brittany where he had lost a lot of men under his control.[6] The translation was unusual for the time as Anthony had purposefully omitted misogynist language.[7] Caxton was known to have not liked this removal that Anthony had made. It was Anthony’s chivalrous nature that won out during this translation process, rather than a desire to conform to wider societal norms. In fact, he was perhaps one of the final knights of his time who tried his best to keep chivalry alive at a time when, in hindsight, it would never be revived.

A manuscript copy was presented to Edward IV, as seen in the image above, which was directly copied from a printed version of the text. It is quite possible that The Dictes and Sayings of Philosophers and Anthony’s other book The Cordyal were used in his role as tutor to the future Edward V.[8] With this in mind, who knows what type of king Edward would have made when he had been taught by one of the greatest minds and athletes of his day.

[1] https://www.britannica.com/biography/Anthony-Woodville-2nd-Earl-Rivers (Accessed 14/09/18)

[2] Davies, C. S. L., Peace, Print and Protestantism, 1450-1558 (London: Hart-Davies MacGibbon Ltd, 1976), p. 132.

[3] https://www.britannica.com/biography/Anthony-Woodville-2nd-Earl-Rivers (Accessed 14/09/18)

[4] Hellinga, L., William Caxton and Early Printing in England (London: British Library, 2010), p. 61.

[5] Pidgeon, L., ‘Antony Wydevile, Lord Scales and Earl Rivers: Family, Friends and Affinity, Part 2.’, The Ricardian, 16 (2006), p. 5.

[6] Pidgeon, L., ‘Antony Wydevile, Lord Scales and Earl Rivers: Family, Friends and Affinity, Part 2.’, p. 5.

[7] Pidgeon, L., ‘Antony Wydevile, Lord Scales and Earl Rivers: Family, Friends and Affinity, Part 2.’, p. 15.

[8] Hellinga, L., William Caxton and Early Printing in England, p. 64