In Memory of Harry Billinge

During the lockdowns of 2020, the world became aware of the inspiring feats of Sir Captain Tom Moore as he did laps of his garden to raise money for charity. Whilst what Tom did was totally commendable and I, along with everyone else, fell in love with him and his story, let’s not forget that their whole generation made, and many have continued to make, amazing sacrifices in the name of others. I have immense respect for that generation as they have seen things that many of us cannot imagine, and yet many are so humble and do so much for others. One of those was Harry Billinge, who sadly died at the age of 96 at the beginning of April. His funeral was held in Charleston, Cornwall, this week. For those of you who don’t know Harry, particularly my foreign readers, Harry had played a large part in fundraising for military charities for the last sixty years, particularly the British Legion.

Harry was perhaps most well-known for helping to raise over £50,000 for a British memorial to commemorate the 22,442 people killed on during D-Day and the Battle of Normandy, the military actions that helped pave the way towards an Allied victory at the end of the Second World War. Harry was only 18 when he landed on Gold Beach, one of the five beaches used by British, American, Canadian, Australian and other Allied nations. He was only one of four men from his unit to survive.[1] Before the memorial was officially opened by Charles, the Prince of Wales, via video link on the 6th June 2021, the anniversary of D-Day, the British were the only allied force not to have a Normandy memorial.[2] Harry, alongside other veterans and the BBC broadcaster, Nicholas Witchell, campaigned for one to be built.

D-DAY – BRITISH FORCES DURING THE INVASION OF NORMANDY 6 JUNE 1944 (B 5071) Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/205205817

Harry was a common sight raising money for the memorial in St Austell, his hometown, where he had moved seventy years ago on advice for a better quality of life. Many have commented on how they befriended him during his fundraising campaigned. Throughout it all, Harry has never taken the praise for himself, even when he collected his MBE from the Queen in 2020. Instead, he always dedicated his achievements to those men and boys who lost their lives in Normandy. When a train was named after him in October 2020 to commemorate the 75th anniversary of the end of World War Two, he again said the same thing. A short snippet from that particular interview can be viewed here: https://www.itv.com/news/westcountry/2020-10-07/cornwall-d-day-hero-harry-billinge-has-train-named-in-his-honour.

This short post is in memory of Harry Billinge and I hope now that he can rest in peace with those men who he has fought so long for. May we never forget the ultimate sacrifice that Harry, along with all those others who fought and died, gave for us. In the words of Margot Billinge, Harry’s daughter, let us go forward with values Harry taught: “honesty, kindness, generosity and not to judge.”

More information on the British Normandy Memorial can be found at the following website: https://www.britishnormandymemorial.org/


[1] BBC, ‘Harry Billinge: Hundreds at funeral of D-Day veteran’, 26 April 2022, https://www.bbc.co.uk/news/uk-england-cornwall-61221978

[2] British Normandy Memorial, https://www.britishnormandymemorial.org/

In the Bleak Midwinter- Origins of a Christmas Carol, Guest Post by Andrew Rothe

An empty field in the middle of the countryside. Kneeling before a freshly-dug grave with a gun to his head, notorious Birmingham gangster Tommy Shelby, leader of the Peaky Blinders, closes his eyes and utters what he thinks will be his final few words before death. In that incredibly tense, heart-stopping moment, what does this infamous criminal choose to say?

“In the Bleak Midwinter.”

Yes, the title of a Christmas carol. [1]

But why? More importantly, what’s the history behind this much-loved festive tune?

Christina Rossetti’s poem as it appears in Scribner’s Monthly (1871)

Part 1: Christina Rossetti

To examine the history of the carol, we first have to look at the poem it was based on. A poem that will be celebrating its 150th birthday in January 2022.

It was in late 1871 that Scribner’s Monthly (or to give its full name; Scribner’s Monthly: An Illustrated Magazine for the People), a relatively new American literary publication founded in 1870, approached famous British poet Christina Rossetti asking for a contribution for their winter 1871/1872 edition. Rossetti herself was experiencing increased periods of illness at this time, something that had plagued her for much of her life and would continue to do so till her final days, but still wrote back with an offering for publication. Simply titled ‘A Christmas Carol’, the poem featured on page 278 with an illustration of the nativity above it. [2]

Frontispiece of Scribner’s Monthly

After this initial appearance in Scribner, it took another 3 years before the poem was first released as part of a book of Rossetti’s assorted poetry in 1875, published, as with much of her work, by the now-iconic Macmillan’s of London [3]. At this point, it was simply one of many poems in her back catalogue and it would take several more years before the evolution into musical hymn and rise to household status would begin.

Part 2: Gustav Holst

In Edwardian England around the years 1904 to 1905, composer Gustav Holst, in his mid-30’s and happily married to wife Isobel since 1901, was approached by his close friend and colleague Ralph Vaughan Williams to contribute to a new project he was working on.

In 1904, Vaughan Williams was himself approached by clergyman Percy Dearmer, tasked with helping to assemble a new Church of England hymnbook. There was already a hymnbook in wide circulation throughout the Church of England at this time, Hymns Ancient & Modern, first published in 1863, but its latest edition in 1904 had been met with much criticism. Hymn numbers were jumbled around, wording had been altered and some much-loved hymns of the time had been left out altogether. Dearmer and several other discontented voices within his parish had decided that they would commission something new to take its place.

Initially named English Hymns and written simply for local use, this idea quickly grew in scale with the involvement of Oxford University Press and became The English Hymnal, intended for widespread publication throughout the nation. Being a clergyman and not a composer, Dearmer reached out to Vaughan Williams to assist him with the musical side of editing the final publication. Dearmer, having heard of Vaughan Williams and his musical prowess from English folk song collector Cecil Sharp (who was also a friend and collaborator of Holst), was confident that the 32-year-old composer would hopefully accomplish this task in just 2 months; it actually ended up taking 2 years! [5]

As well as In the Bleak Midwinter, Gustav Holst would go on to submit two other hymns for The English Hymnal; From Glory to Glory Advancing and Holy Ghost, but In the Bleak Midwinter has definitely become the more well-known to contemporary and secular audiences. It is highly likely that Holst first came upon Rossetti’s words thanks to a publication of her collected works released in 1904. The tune he wrote to accompany them is known as ‘Cranham’, named for the Gloucestershire village where Holst spent many years of his life. (4). The exact time and place where ‘Cranham’ was created remains unclear, although it’s perhaps unsurprising that many residents of Cranham village like to stake a claim that the tune was composed in the very place from which it takes its name! [6][7]

The English Hymnal (1906) by Oxford University Press, edited by Percy Dearmer and Ralph Vaughan Williams, Wikimedia Commons

After years of work, The English Hymnal was finally published in 1906; the words/lyrics edition appearing in May of that year, followed by the tunes/sheet music edition some weeks later. The end product that Dearmer and Vaughan Williams had delivered radically divided opinions within the Church of England.  The book’s more Catholic undertones, especially regarding the Virgin Mary and the Intercession of Saints, drew the ire of several Bishops and members of the clergy.

The Bishop of Bristol, George Forrest Browne, banned the book in his Diocese, stating “I cannot reconcile it to my conscience, or to my historical sense, to do less than prohibit a book which would impress upon the Church of England tendencies so dangerous.”. This caused further outrage in the press, and eventually the Archbishop of Canterbury, Randall Davidson, got involved by censuring The English Hymnal. [8]

Throughout this discourse, Dearmer remained steadfast and defended his creation. Oxford University Press, worried that the drama may cause sales to dip, eventually agreed a compromise with Dearmer and released an ‘abridged’ version of The English Hymnal in 1907, with the ‘controversial elements’ removed. This seemed to satisfy the critics, yet the revised version quietly seemed to fade into obscurity over the following years, not seeing any further reprints following the initial production run. In fact the only major revision to The English Hymnal after this was in 1933, when Vaughan Williams made some changes to the Tunes edition (no changes were made to the original lyrical/word edition). This 1933 version is the one that has remained in circulation through to the present day. [5]

Part 3: Harold Darke

From its initial release in 1906, Holst’s ‘In the Bleak Midwinter’ has become a firm favourite with carol singers and choirs around the world. The tune, although labelled as ‘dreary’ by some, has become as iconic as Rossetti’s words, and can be regularly heard in a smorgasbord of places during the Christmas season. But Gustav Holst was not the only one inspired to combine the words of Christina Rossetti’s poem with music to create a festive hymn. Just 5 years later than Holst, another composer would add his own unique take on this Christmas classic.

In 1911, 23-year-old Harold Darke was a student at the Royal College of Music and also the resident organist at Emmanuel Church in West Hampstead. The exact circumstances surrounding the conception of his tune are hard to fathom, but it was in that year that London-based publishers Stainer and Bell first printed the music for his creation. [9][10]

It’s a distinctive melody, quite different from Holst’s tune. Performances naturally vary between different choirs and carol singers, but in many performances of Darke’s tune the first verse is usually performed by a soprano as a solo, Rossetti’s fourth stanza is omitted altogether, and the final line is often repeated.

This version, noted for its higher degree of complexity, has become the more popular with professional choirs around the world. Fittingly reflecting Harold Darke’s tenure as organist of King’s College, Cambridge, during the Second World War, this version is still a firm favourite with the King’s College Choir and still regularly appears in their famous Christmas Eve ‘Nine Lessons and Carols’ service, enjoyed by radio listeners and television viewers around the globe. (11)

The appeal of this tune remains strong well into the 21st century; A 2008 BBC poll to find the ‘best’ Christmas carol was conducted with 51 directors of music across the UK and US, and they voted Darke’s version of In the Bleak Midwinter into the top slot at number 1. (12)

Part 4: Midwinter’s Legacy

Sadly, Christina Rossetti and Gustav Holst were plagued by severe health complications throughout their life, and both would die relatively young, never truly seeing the scale of the legacy of their work.

Rossetti died in 1894 at the age of 64 after a bout of breast cancer, over a decade before Holst’s adaption of her words. One can only wonder what she’d have made of a Christmas carol being created out of her poetry.

Holst himself died in 1934 at the age of 59 owing to heart failure, in part caused by an unsuccessful operation to treat an ulcer. He lived to see the release of The English Hymnal, but sadly not to observe the lasting popularity of his work throughout the latter half of the 20th century. Fittingly, Ralph Vaughan Williams conducted the music at his memorial service.

Harold Darke had a far longer life, finally passing away at the age of 88 in 1976. However, his lasting views on In the Bleak Midwinter were less than positive; despite bearing witness to the success of his creation, he allegedly grew to dislike it, becoming irritated that he wasn’t better known or recognised for his other pieces of work.

So, what of Tommy Shelby, leader of the Peaky Blinders? Why do the main characters of Stephen Knight’s highly successful period crime-drama series seem so obsessed with a Christmas carol?

Shelby himself explains in one episode that the family’s shared love for the carol goes back to their time serving in the First World War, and a particularly gruelling winter’s night when they all widely believed, and accepted, that they were to be rushed and killed by enemy forces. The group’s Padre, Jeremiah (played by poet Benjamin Zephaniah) suggested that they all sing the carol in that moment. When they survived the night and the enemy forces never came, they concluded that they had been spared by an act of divine mercy, and that everything in their lives from that moment until their actual deaths would be considered ‘extra’. [13] The carol goes on to appear multiple times throughout the show’s story, popping up in multiple episodes, often in the moments when various characters think that their death is imminent.

Author’s own image

Conclusion

Christina Rossetti’s beautiful poem turns 150 years old this winter and it’s a tribute to her skill as a writer that her words, be it sung or spoken, remain so popular with so many people over 100 years after her passing.

I could have written a blog post about the history of any number of fascinating Christmas carols, as they each have their own amazing stories. From the inspired last-minute improvisation behind the creation of ‘Silent Night’ through to the violent end of the life of Wenceslas I of Bohemia (‘Good King Wenceslas’), itself easily worthy of starring in an episode of Horrible Histories.

But I have a big soft spot for In the Bleak Midwinter. It’s a poignant carol. It’s delicate, melancholy and yet simultaneously comforting at the same time. It remains my favourite carol and I have no doubt that it will remain a regular fixture of carol concerts and church services for many years to come.

Thank you for reading! A big thank you to Danie for giving me this spot in her wonderful blog! She’s absolutely brilliant, please do go back through her older posts and give them a look. It was lovely to write this piece and research an area of history I don’t normally delve into.

It only remains to say that I hope you all had a safe, peaceful Christmas and I wish you all a prosperous, trouble-free New Year.

Andrew, a MA Museum & Heritage Development graduate from Nottingham Trent University

Sources and images

  1. https://www.bbc.co.uk/iplayer/episode/b04nyw0f/peaky-blinders-series-2-episode-6?seriesId=b04kkm8q
  2. https://archive.org/details/scribnersmonthly03newy/page/n5/mode/1up?view=theater
  3. https://www.panmacmillan.com/about-pan-macmillan
  4. http://landofllostcontent.blogspot.com/2009/12/gustav-holst-in-bleak-mid-winter.html
  5. https://www.bl.uk/20th-century-music/articles/vaughan-williams-and-the-english-hymnal
  6. https://www.bbc.co.uk/gloucestershire/content/articles/2008/12/18/midwinter_feature.shtml
  7. https://commons.wikimedia.org/w/index.php?curid=52218436
  8. https://www.telegraph.co.uk/comment/personal-view/3634586/Sacred-mysteries.html
  9. https://www.allmusic.com/artist/harold-darke-mn0001261167/biography?1640147639153
  10. https://stainer.co.uk/about/
  11. https://www.hymnsandcarolsofchristmas.com/Hymns_and_Carols/in_the_bleak_midwinter.htm
  12. http://news.bbc.co.uk/1/hi/entertainment/arts_and_culture/7752029.stm
  13. https://www.bbc.co.uk/iplayer/episode/b09gvn5j/peaky-blinders-series-4-2-heathens

Gift Ideas for History Lovers: My Top 5 History Reads of the Year

It can be hard to know what to get the history lovers in your life when it comes to Christmas, especially if, like me, they’re interested in more than one period. If you need a bit of inspiration this year, then here’s a list of my top five history books that I’ve read this year. It’s a mixture of different periods and some fiction and non-fiction, so hopefully there’s something for everybody there.

Jane Austen Investigates: The Abbey Mystery, by Julia Golding

Whilst this is technically a children’s fiction book, it is well suited for Jane Austen fans of all ages. A teenage Jane Austen turns supersleuth when mysterious goings-on happen at Southmoor Abbey, where she has been sent to be a companion of Lady Cromwell for a week. It’s written in a very entertaining way and is a satirical version of a Gothic novel, full of many hints of the real Jane which will be recognised by hardened fans. It’s also a good way to introduce younger readers to the world of Jane Austen. This has definitely been one of my favourite books and I found it quite hard to put down! If you would like to know a bit more, I recently wrote a review for Love British History, which can be found here.

The Real Falstaff: Sir John Fastolf and the Hundred Years War by Stephen Cooper

This book places the Hundred Years War in the context of John Fastolf, the man Shakespeare used as inspiration for his Falstaff character. It successfully blends military history and social history with the personal life of John Fastolf. It gives you a great understanding of how Fastolf fit in and influenced the world around him until his death in the 1450s, including a focus on the homes he built for himself. All in all, a very interesting read and shows just why Fastolf isn’t recognised enough.

Sitting Bull: His Life and Legacy by Ernie LaPointe

In this book, Ernie LaPointe, great-grandson of the legendary Chief Sitting Bull, tells the real story of his famous ancestor. This is a biography with a difference. It’s written in the traditional style of Lakota oral history. This makes it read very differently to other books, but feels true to the person of Sitting Bull. It also makes it easy to read. Again this is up there with one of my favourite books of all time as it is full of emotion but is also education in the respect it shows just how complicated history has portrayed Sitting Bull. I wrote a review of this earlier in the year, so please do take a look here if you’re interested.

Before the Crown by Flora Harding

This is another fiction book, but this time an adult one. I was recently given this by a friend as a gift, so I would definitely recommend gifting this one. It tells the story of how Queen Elizabeth II and Prince Philip fell in love during the war and the lead up to their wedding on the 20th November 1947. Whilst this isn’t my usual time period, my friend obviously remembered that I have a personal connection to the Queen’s wedding day as my mum was born on the exact same day. I feel this has captured a young Elizabeth and Philip well and is also a very easy read. This would definitely be a good choice for any Royal fan!

Saving Mona Lisa: The Battle to Protect the Louvre and Its Treasures from the Nazis

Again this isn’t my usual time period, but I read this mainly because I have been a regular visitor to the Louvre, but was unaware of the troubles the museum had had during the Second World War. Whilst this is a non-fiction book, it does read more like an action or thriller story as the museum staff risked their lives to protect the treasures in their care. Again this makes it an enjoyable read and really focuses on the individuals involved and their sacrifices, as well as the personal achievements and recognition they had after the war ended. I recently wrote a review of this, which can be found here.

Book Review of Saving Mona Lisa: The Battle to Protect the Louvre and Its Treasures from the Nazis by Gerri Chanel

I’m not usually a fan of World War Two, although I know many others are, so this book was an unusual choice for me. I really brought it as I have visited the Louvre many times and didn’t know the story of how the museum had dealt with keeping the priceless treasures safe during a time of war. After reading this book, which describes the dangerous situations, often at the threat of the lives of museum staff, as well as the many times the art was nearly taken by the Nazis, has made me realise just how much we take these amazing institutions for granted. It does try and focus on a good mixture of the fate of the curators and other museum staff, as well as their families. There is a keen focus on Jacques Jaujard, the Director of the Musee Nationaux, who was instrumental to the evacuation process and dealing with the Nazis once they occupied France. This gives the book a very personal feel and at some points, makes the reader feel very connected with those involved.

Whilst the book doesn’t instantly talk about the evacuation, I thought the background on how the Louvre became a museum, as well as explanations as to why the staff had learnt from previous threats to the museum, all contribute to a greater understanding of the challenges and logistics required to organise such a venture.

Despite the title, the book does cover all the art evacuated from the Louvre, and other French museums in preparation for the Second World War, which had to be spread across many different chateaus for safety reasons. I do like though that it covers all the art works, with mentions of the Mona Lisa sprinkled throughout. Personally I liked this as I felt a bit disappointed at easing the Mona Lisa, as I much preferred other paintings in the museum. This also helps to demonstrate the enormous challenges the staff faced in such an evacuation, especially with the larger paintings and sculptures. Whilst I enjoyed this part, I feel others would find this hard to get into as it is more background context than specifically focuses on the World War Two topic promised. However, if this isn’t to your taste, once you get a few chapters in, you won’t be disappointed.

There are some graphic description of violence and war, which is to be expected considering the topic, but I must admit these parts were hard to read. Although these are important to the narrative and explain the genuine dangers the museum staff had to contend with. I would be prepared for these as I had to take a break from reading at this point. These, alongside mentions of wider war issues, such as food shortages, the difference between Occupied and Vichy France, could have used with better context, but I understand this wasn’t necessarily the scope of this book. However, it could easily be used as a platform for further learning about the period.

I do especially like the epilogue, which mentions what happened to the main people after the end of the war, including the awards given in recognition for the courage, bravery and can do attitude that all museum staff had in the face of great adversity. This was a touching tribute and I must admit I was quite emotional to see the recognition the staff had received. It was a very fitting way to end what is a very fascinating and easy read. Thank you to Gerri Chanel for writing this book in acknowledgment for the achievements of the staff.

I would definitely recommend this book as the easy writing style made it very hard to put down. Whilst it’s a nonfiction book, it very much reads like a novel in its easy style, reading much like an adventure story. This has definitely been one of my favourite books that I’ve read this year. Whenever I am finally able to go back to Paris, especially the Louvre, I will now look on it in a new and grateful light for the sacrifice the staff and their families made at the time to keep the art protected for the world, not just for France.

Irena Sendler: The Polish Woman who helped save Jewish Children during World War Two

In June of this year, a statue was unveiled in Newark in Nottinghamshire to a Polish woman who played a hugely important role during World War Two. The woman was Irena Sendler, who helped to rescue an estimated 2,500 children from the Jewish Ghetto in Warsaw. It may sound a little odd that Newark was chosen for the site of the statue, but Newark has had many Polish connections. The statue itself is in a park close to the Polish cemetery in the town, where the bodies of many Polish airmen who were stationed in Newark during the Second World War.[1] I had never heard of the brave and heroic efforts of Irena and her colleagues, but after looking more into her story, I feel it should be shared more. The statue in Newark also aims to share her amazing story.

Irena was born as Irena Krzyzanowska on the 15th of February 1910 to Dr Stanislaw Krzyzanowski and his wife, Helen. Stanislaw died of typhus when Irena was 7, after contracting it from patients he was treating. He had decided to treat the patients, many of them Jews, as other doctors had refused to treat them for fear of catching typhus.[2] In recognition for the treatment offered, Jewish community leaders offered to pay for Irena’s education.[3] This was politely turned down, but Irena did go on to study Literature at Warsaw University. Whilst at university, she became opposed to the Jewish segregation policy that existed in some pre-war Polish universities. In protest, she defaced her grade card and was suspended for three years.[4]

Irena Sendler in 1942, Wikimedia Commons

Following her suspension, she tried to apply for teaching roles, but was always rejected due to Warsaw University warning of her previous behaviour.[5] Instead, she chose to become a social worker and wanted to improve people’s standards of living. When the Germans invaded Poland in 1939, she began offering food and shelter to Jews at risk. This was only able to continue until 1940, when the Jewish Ghetto in Warsaw was erected, which completely segregated the Jewish community. As she couldn’t openly assist the Jewish community as she had done previously, she decided to help orphaned Jewish children, which was a common occurrence with disease rife in the Ghetto. As a social worker, she was able to get papers to enter the Ghetto, with much assistance from a worker within the Contagious Disease Department.[6]

She became a member of the Zegota, a code name for the Council to Aid Jews, a secret organisation set up by the exiled Polish Government to help Jews in Poland find safety.[7] The organisation was the most consistently organised resistance group in operation throughout the Second World War, and encouraged Christians and Jews alike to offer whatever aid they could to Jews at risk of their lives.[8] Irena quickly became the person in charge of the children’s division of the Zegota. Her and her network devised many different methods to smuggle the children out of the Ghetto, including hiding children in ambulances and in trunks or sacks, or through sewers and other secret passageways.[9] One of the main ones used was a church that was next to the Ghetto. It was known as a ‘sealed’ entrance, or a sort of barrier, as it had two gates, one that led to the Ghetto, and another that led to other parts of Warsaw. Children would be smuggled in if they had good enough Polish and could recite some Christian prayers.[10]

The children who were smuggled out of the Ghetto were handed over by their families with the hopes of saving them from death. Irena ensured that all the families the Jewish children lived with during the war knew their birth families had been promised the children would be returned to them when the war ended.[11] Children who could not be found a family were housed in orphanages run by nuns, which was the next safest place for them.[12] The children were given a new identity with Christian names to hide them from the Germans and Irena had kept coded information on their birth identities and families buried in jars and bottles underneath a neighbours’ apple tree to hide them from discovery.[13] The hiding place was only just across the road from a German barracks.[14]

Irena Sendler in 2005, Wikimedia Commons

Irena’s life was just as in danger as the families who had taken the Jewish children in. In October 1943, she was arrested by the Gestapo. She was constantly questioned and tortured in order to give up information on the Zegota network. Despite having her legs and feet broken, she only ever gave up false information her and her associates had agreed upon if they were ever captured.[15] Once she had given this information, she was told she would be shot to death. On the day of her execution, she was taken into a room by her execution on the basis of last minute questioning, but in reality he let her go as he had been bribed by the Zegota.[16] The next day, posters were put up all over Warsaw saying she had been killed, so the man who helped her escape must have convinced the Germans that he had done his duty. I hope he was able to survive as he would have been killed for what he had done.

For the rest of the war, Irena had to live in hiding, just has the children she had saved had had to do. When the war ended, she dug up the bottles with the children’s identities and tried to trace their a living parent. Unfortunately, the vast majority of them had been killed at Treblinka death camp, but the amount of children she had saved had been great.[17] Her compassionate nature continued with her career as a social worker. She continued to help set up and run care homes and orphanages.[18]

Tree honouring Irena in The Garden of the Righteous Among the Nations, Yad Vashem, in Jerusalem, Wikimedia Commons

Her work rescuing Jewish children had been largely forgotten, other than the immediate recognition from the Polish government straight after the war, and a tree planted in The Garden of the Righteous Among the Nations, Yad Vashem, in Jerusalem, in 1965, which honours individuals who helped the Jews during the Holocaust.[19] It wasn’t until 4 students from America contacted Irena in 2001 about her story that the truth in its entirety was discovered. Irena’s response was emotion, but she admitted it had been overshadowed by the fact she was one of the only ones among her colleagues left who was left to receive the recognition and honour given to their life saving work.[20] Irena died in 2008 at the age of 98, but I hope this, alongside other attempts, such as the statue in Newark, raise the profile of the importance and heroism of Irena and her network of colleagues and most significantly, the amount of gratitude they should be given for the lives they saved by risking their own.


[1] ‘Polish humanitarian hero Irena Sendler had her statue officially unveiled at Newark’s Fountain Gardens on London Road after a small COVID-secure ceremony this Saturday’, Radio Newark, 28 June 2021, https://www.radionewark.co.uk/news/local-news/polish-humanitarian-hero-irena-sendler-had-her-statue-officially-unveiled-at-newarks-fountain-gardens-on-london-road-after-a-small-covid-secure-ceremony-this-saturday-26-june-2021/

[2] Life in a Jar: the Irena Sendler Project, https://irenasendler.org/

[3] Ibid

[4] Ibid

[5] ‘Irena Sendler was born 111 years ago’, The International Roul Wallenburg Foundation, 15 Feb 2021, https://www.raoulwallenberg.net/general/irena-sendler-was-born-111-years-ago/

[6] Life in a Jar: the Irena Sendler Project, https://irenasendler.org/

[7] ‘Jewish Resistance: Konrad Żegota Committee’, Jewish Virtual Library, https://www.jewishvirtuallibrary.org/the-379-egota

[8] Ibid

[9] Life in a Jar: the Irena Sendler Project, https://irenasendler.org/

[10] Ibid

[11] Ibid

[12] ‘Irena Sendler was born 111 years ago’, The International Roul Wallenburg Foundation, 15 Feb 2021, https://www.raoulwallenberg.net/general/irena-sendler-was-born-111-years-ago/

[13] Ibid

[14] ‘Irena Sendler was born 111 years ago’, The International Roul Wallenburg Foundation, 15 Feb 2021, https://www.raoulwallenberg.net/general/irena-sendler-was-born-111-years-ago/

[15] Life in a Jar: the Irena Sendler Project, https://irenasendler.org/

[16] Ibid

[17] Ibid

[18] ‘Irena Sendler was born 111 years ago’, The International Roul Wallenburg Foundation, 15 Feb 2021, https://www.raoulwallenberg.net/general/irena-sendler-was-born-111-years-ago/

[19] ‘Polish humanitarian hero Irena Sendler had her statue officially unveiled at Newark’s Fountain Gardens on London Road after a small COVID-secure ceremony this Saturday’, Radio Newark, 28 June 2021, https://www.radionewark.co.uk/news/local-news/polish-humanitarian-hero-irena-sendler-had-her-statue-officially-unveiled-at-newarks-fountain-gardens-on-london-road-after-a-small-covid-secure-ceremony-this-saturday-26-june-2021/

[20] Life in a Jar: the Irena Sendler Project, https://irenasendler.org/

Madam C. J. Walker: America’s First Self-Made Female Millionaire

Being an English person, I hadn’t heard of Madam C J Walker, the first self-made, black female millionaire in America. I came across her by pure accident Whilst scrolling through Netflix for something to watch, I found Self Made, the recent drama about Madam C J Walker’s success in creating hair products made for, sold by, and targeted at black women. I must admire her tenacity at a time when black women were trapped in hardworking roles in farm labour or laundry, she wanted to make a better life, not just for herself, but all black women.

Madam C J Walker was born as Sarah Breedlove on the 23rd of December 1867 as the fifth child of Owen and Minerva. She was the first of their children to be born after the emancipation following the American Civil War. From a young age, this meant she would have known exactly what hard work and racism was. Perhaps she would have even thought that through hard work, she could prove her worth. Sadly, this wasn’t the end of hardship in the early part of her life as she was orphaned at 6 and married Moses Williams at 14 to escape her abusive brother-in-law.[1] By the age of twenty, she was a young widow with a young daughter, A’Lelia.

After the death of Moses, she took on laundry to earn money, as well as balancing motherhood, so there is no doubt she led a busy and stressful life.[2] It was during this time that she developed a scalp problem, which made her lose a lot of her hair, and started trying various hair products to make her hair grow back. Her enterprising nature realised just how little hair products were available for black women. A lot of what was there was made by white businesses, who didn’t really have a clue how to market to a black audience. Instead, they appeared to conform to white ideas of beauty were, assuming that black women wanted the same look, especially as there was a desire to aspire to ‘whiteness’.[3] In that respect, Madam Walker was different. Her products focused on the benefits of healthy hair, rather than just for beauty. The products focused on scalp preparations and lotions aiming at promoting hair health.[4]

Madam C.J. Walker—Preparations, 1920, Photograph, https://www.loc.gov/item/2002716791/

Sarah took on the name Madam C J Walker after her marriage to Charles J Walker in 1906 after they moved from St Louis to Denver, Colorado. Charles was initially supportive of the business venture and he was often involved in the marketing and advertising of products.[5] This lasted until the couple grew apart and eventually divorced. Sarah still went by the name Madam C J Walker until her death because her products used the same name.

Despite some innovations in the style of products, it was the way that the business was run that was truly innovative. When her business started to grow, Sarah’s business model changed from her selling direct to customers, she hired door-to-door sellers. These sellers were all black women who were purposefully trained to develop their skills, not just in selling Madam Walker’s products, but finding innovative ways to help the poor in their communities.[6] Sarah’s belief in the enterprising nature of black women is clear in her confrontation of Booker T. Washington’s business convention in 1912. He had denied both her, and anyone else attempting to speak on her behalf, any opportunity of presenting. It was claimed this was because he believed Madam C J Walker’s beauty products, as well any aimed at black women, were destructive to black women and instead encouraged white behaviours.[7] Sarah believed in her product and how the business could become a positive thing. Indeed, it was as it would go on to employ an estimated 20,000 sales agents across America and beyond.[8]

Madam C. J. Walker, c. 1914, Scurlock Studio (Washington, D.C.), Wikimedia Commons

The company became a safe “public sphere of leisure, labour, and politics” which black women could participate in.[9] Madam Walker herself did this through raising the profile of racism and inequality for black people during the early 20th century. Not only did she attend the White House in 1917 to protest against lynching, but she gave much of her wealth away to help black causes.[10] It helped to fund a scholarship for women at the Tuskegee Institute, just to name one.[11]

Sarah died of kidney failure caused by hypertension in 1919 at the age of 51, at one of her 3 large houses. In her will she left two-thirds of the company’s net profits to the charities and schools she had promoted in life.[12] Her main legacy is the promotion of black female talent by creating a female run business, purposefully designed to promote the health, happiness, and equality of black women. This certainly continues as the business has since passed on to the subsequent female generations of Sarah’s family.

Whilst this post is not an extensive example of Madam C J Walker’s achievements or life, I do hope that it has helped to raise her profile, particularly here in the UK. I hope that it serves as a reflection of what she was able to do, despite the barriers and prejudice that were in front of her. Both Madam Walker and her selling agents did a job that was ahead of their time. I utterly commend them and give them a standing ovation for what they managed to create. They deserved every success they had.

If you would like to find out more about Madam C. J. Walker, I would suggest that you read her biography, On Her Own Grounds, written by great-great granddaughter, A’Lelia Perry Bundles, who is also the current owner of the Madam C. J. Walker Company. It’s a very insightful book that often shows Sarah’s motivations and how she is remembered by her family.


[1] Michals, D., ‘Madam C. J. Walker’, National Women’s History Museum, https://www.womenshistory.org/education-resources/biographies/madam-cj-walker ; History, ‘Madam C. J. Walker’, https://www.history.com/topics/black-history/madame-c-j-walker

[2] History, ‘Madam C. J. Walker’, https://www.history.com/topics/black-history/madame-c-j-walker

[3] Baldwin, D. L., ‘From the Washtub to the World: Madam C. J Walker and the “Re-Creation” of Race Womanhood, 1900-1935’, in Weinbaum, A. E., Thomas, L. M., Ramamurthy, P., Poiger, U. G., Dong, M. Y. and Barlow, T. E. (eds), The Modern Girl Around the World: Consumption, Modernity, and Globalisation (Duke University Press: Durham, North Carolina, 2008), p. 56; History, ‘Madam C. J. Walker’, https://www.history.com/topics/black-history/madame-c-j-walker

[4] History, ‘Madam C. J. Walker’, https://www.history.com/topics/black-history/madame-c-j-walker

[5] History, ‘Madam C. J. Walker’, https://www.history.com/topics/black-history/madame-c-j-walker

[6] Michals, D., ‘Madam C. J. Walker’, National Women’s History Museum, https://www.womenshistory.org/education-resources/biographies/madam-cj-walker

[7] Baldwin, D. L., ‘From the Washtub to the World’, p. 56.

[8] Baldwin, D. L., ‘From the Washtub to the World’, p. 57.

[9] Baldwin, D. L., ‘From the Washtub to the World’, p. 57.

[10] Bundles, A., On Her Own Ground: The Life and Times of Madam C. J. Walker (Scribner: New York, 2001), p. 15.

[11] Michals, D., ‘Madam C. J. Walker’, National Women’s History Museum, https://www.womenshistory.org/education-resources/biographies/madam-cj-walker

[12] Michals, D., ‘Madam C. J. Walker’, National Women’s History Museum, https://www.womenshistory.org/education-resources/biographies/madam-cj-walker

Audley End- Aristocrats, Avenues and Espionage: a Guest Post by Laura Adkins

This guest post has kindly been written by Laura Adkins, the creator of the For The Love of History Blog, which I have been able to do a few guests posts for myself. She has worked at many historical sites and mainly posts about ones found in Essex, her home county. Do check her blog out if you can, I promise you it’s a very enjoyable read.

One of the grandest houses in England, Audley End stands proudly in the countryside of Saffron Walden. Its origins date back to the 10th Century, where it began life as Walden Abbey, given to Thomas, Lord Audley, by Henry VIII, who converted the monastery into a house. 

The rooms are high and hung with beautiful tapestries: the beds amply decorated with golden velvet and silk bed hangings and covers.’

From the account of the visit of Johann Ernst, Duke of Saxe-Weimar, to Audley End, September 1613

In this post, I will be exploring three parts of Audley’s history, those who lived there – the Howards, its beautiful gardens designed by the one and only Capability Brown and its role in WW2 and the polish resistance.

Aristocrats:

The creator of the current structure of Audley End was Thomas Howard, part of the infamous Howard family. He inherited the House in 1605 and set about transforming the site into a country estate fit enough for royalty as he wanted to show off his wealth. Unfortunately, not much survives of his transformations and what we know from his estate comes from archives and documentary evidence. We know work began in 1605 and completed around 1614. Along with his uncle Henry Howard and Bernard Janssen, a Flemish mason, the three set about creating one of the greatest houses in Jacobean England.[1] Audley End had all the parts one expects in a Jacobean Mansion including symmetrical inner court, lodgings for his guests, including one for both the King and a separate one for the Queen for when they would stay. Today the house is only half the size of what it once was.

Thomas Howard, 1st Earl of Suffolk by Unknown Artist, National Portrait Gallery

The Howard family’s rise to power began in 1483, when King Richard III created John Howard the Duke of Norfolk. This was the third time that the Title of Duke of Norfolk had been used, and John had blood links to the first ever Duke of Norfolk – Thomas Mowbray (made 1st Duke of Norfolk in 1397). The head of the Howards would not only hold the title of Duke of Norfolk, but that of Earl of Arundel, Earl of Surrey, and Earl of Norfolk in addition to holding six baronies. They were a powerful family, who in the reign of the Tudors were ones to watch out for. Thomas Howard, son of John would be successful in defeating the Scots at the Battle of Flodden with two of his nieces – Anne Boleyn and Catherine Howard being married to King Henry VIII. Charles Howard, 1st Earl of Nottingham, would hold the title of Lord Admiral and lead the English against the invasion of the Spanish Armada in 1588. For more on this infamous family, I suggest reading House of Treason by Robert Hutchinson.

In 1751, after the 10th Earl’s death, Elizabeth, Countess of Portsmouth brought Audley End which in turn would be inherited by her nephew, Sir John Griffin Whitwell, on the agreement that he took the surname of Griffin. John was a retired soldier and MP for Andover. He had fought and was wounded at the Battle of Kloster Kampen in 1760 during the Seven Years War.

Sir John, who became Lord Howard, would make more transformations to Audley End, most of which is what we can see today. He hired the architect Robert Adam to transform the house and Capability Brown the landscape. Adam’s work can be seen in the ground floor reception rooms on the south front today. Over time, Sir John started to pick up the architectural bug and his second wife, Katherine the decor. They both, respectively, became amateur architect and decorator and thus set about making many of their own changes to the house. The central range was rebuilt to reconnect the two wings of the house, along with a unique service gallery and detached service wing, all under the eye of Sir John.

Audley End would be one of the first houses to have a flushing water closet (installed in 1775) along with a bell system for the family of the house to call their domestic staff. Today, much of what can be seen at Audley End is a result of Richard Neville, who in the 1820s remodelled the house taking it back to its Jacobean roots.

Audley End, Wikimedia Commons

Avenues:

The beginnings of formal gardens at Audley End were started during the conversion of the monastery into house. It would be Elizabeth, Countess of Portsmouth, who would begin the transformation of the gardens into a more formal landscape. However, the landscape that we see today was mostly the result of one Capability Brown.

I mentioned above that in 1763, Griffin hired John Adam to assist with the interior development, he had Capability Brown do the same with the estate. Brown’s brief was to widen the river running through the estate, building a ha-ha and transforming the overall look of the gardens into Brown’s ‘naturalistic style’. He would create new roads towards the house, including one with a bridge, which was designed by Adam’s and is a Grade I listed structure. Brown was to be paid £660 (around £1,150,000 today) for his work in three payments, the last being on completion.

The two would eventually fall out with the result being Griffin dismissing Brown and getting the unknown Joseph Hicks to finish the work. However, the elements of Brown’s work are there for all to see and appreciate, including sweeps of grass, water flowing towards the house, long curving drives with stunning views for visitors and wooded areas to hide service buildings.

Espionage:

When I visited Audley End many years ago, I did not really pay much attention to a monument within the estate, remembering fallen soldiers from WW2. It was not until planning this post that Danielle mentioned the Polish secret missions that made me go back and re look at Audley End’s history in the 20th Century.

In 1941, like a number of other country estates, Audley End was requisitioned by the Army to be used as a training facility. By 1943, those who trained there was exclusively Polish Soldiers. They were undergoing training to assist them when they were secretly returned to German occupied Poland and assist the Polish resistance.

WWII Reenactment at Audley End

Code named station 43 (overseen by the Special Operations Executive), the Polish agents, under the command of Captain Alfons Mackowiak (Alan Mack). They would undergo various training in guerrilla warfare which included close combat, assignation, forgery, planting booby traps and of course learning how to parachute out of a plane. In total 527 soldiers passed the training and were sent into Poland. Sadly, 108 of these were either killed in action or at concentration camps and are remembered on the memorial I mentioned above. The soldiers would be known as the Cichociemni (the silent and Unseen). They would be involved in many missions, including recovering a German V2 rocket and smuggling into England.

‘Between 1942 and 1944 Polish members of the Special Operations Executive trained in this house for missions in their homeland. This memorial commemorates those who parachuted into enemy occupied Poland and gave their lives for the freedom of this and their own country.’ Listed Grade II © Historic England Archive PLB/K030323

In 1948, the house was handed over to the nation. Today it is managed by English Heritage, and accessible to the public, for more information on visiting times, exhibitions and events head to https://www.english-heritage.org.uk/visit/places/audley-end-house-and-gardens/

[1] Drury, P (…) English Heritage Guidebooks – Audley End

Sources:

Borger, J (2016) Honouring ‘silent and unseen’ fighters who led Polish resistance. Available from: https://www.theguardian.com/world/2016/jun/10/honouring-poland-silent-unseen-fighters-resistance-nazi-british [Accessed 04.08/20]

English Heritage (2020) Audley End House and Gardens. Available from:  www.english-heritage.org.uk/visit/places/audley-end-house-and-gardens/ [Accessed 25/07/20]

Historic England (2020) Audley End. Available from: historicengland.org.uk/listing/the-list/list-entry/1000312 [Accessed 25/07/20]

Historic England (2019) The Secret War: Resistance in Britain During the Second World War. Avalbne from: https://heritagecalling.com/2019/11/05/the-secret-war-resistance-in-britain-during-the-second-world-war/ [Accessed 05/08/20] Landscape Institute(2016) About Capability Brown. Available from:  http://www.capabilitybrown.org/  [Accessed 4/8/20]

Brushy Bill Roberts: Billy the Kid or Imposter?

After catching the last part of the film Young Guns recently, I suddenly realised I didn’t know the end of Billy the Kid’s life. Being English, I assumed that this was because we have our own outlaws, rather than the cowboys of the American West. However, after beginning to do a little research, some parallels with English outlaws emerged. Most notably that there has been a lot fictionalisation surrounding Billy’s life. This was easy to do as there are little established facts and most of the knowledge known about him has been taken from rumours and speculation found in newspapers and fictionalised accounts at the time.[1] Yet one thing stood out to me as utterly fascinating: in 1950, a man known as Brushy Bill Roberts applied for a pardon for Billy the Kid. Who was this Brushy Bill Roberts, and why was he asking for a pardon for Billy the Kid, real name Henry McCarty, nearly 70 years after the death of the outlaw?

Photograph of Brushy Bill Roberts

Brushy Bill Roberts, real name William Henry Roberts, first came to the attention of a paralegal, William V. Morrison, in 1948 whilst he was helping to settle an estate.[2] He had heard rumours that Roberts knew the true fate of Billy the Kid and wanted to investigate more. Little did he know exactly what he’d find. After some interviews, Roberts admitted he was Billy the Kid and that he was sick of hiding his identity. Morrison was initially unsure as to the truth of the claims, but quickly began to believe them, particularly as some of the activities of Billy the Kid and the Lincoln County War in which he was involved, were too in depth not to be true.[3] Despite these findings, when the story was released to the press, experts on the American outlaw were utterly unconvinced and instead they continued to believe that it was Billy the Kid who had been shot by Pat Garrett in the early hours of 14 July 1881.[4]

Billy the Kid, Wikimedia Commons

There are many loopholes in the story of Billy the Kid’s death, therefore leaving an opportunity not just for Roberts, but a man name John Miller, who died in 1937, to claim to be the outlaw who died young. Garrett had shot a man who had been speaking Spanish in a darkened room of the ranch house of Pete Maxwell, a friend of Billy the Kid. The two deputies who were waiting outside the house, John W. Poe and Thomas McKinney, hadn’t met the outlaw before, so they didn’t know what he looked like. After the incident, Poe is noted to not believe the man who had been shot dead was Billy, insisting that it was the wrong man.[5] This, alongside rumours spread by locals who lived near the ranch, meant some had begun to believe that it was someone else who had been killed that day.

Photograph of Pat Garrett as a Sherriff in the Lincoln County Police, Wikimedia Commons

The day after the shooting, a Coroner’s inquest ruled that the body was that of Billy the Kid and that Garrett had shot him as a justifiable homicide.[6] The body was buried that same day and was fully intact, despite later claims by various people to have kept body parts as relics.[7] It was buried alongside Billy’s mother but the graves have since has flooding issues, so no one knows if the remains are still there. A more recent stone marker has been placed in the graveyard but it’s uncertain whether it lies anywhere near the original grave location.[8] This has meant that any calls for DNA evidence to be analysed has been impossible.

I have purposefully not gone into the full ins and outs of the case for Brushy Bill Roberts either being or not being Billy the Kid, in the hopes that you will investigate it and make up your own mind. I would suggest that as it’s a fascinating topic. However, for me, there is one strange coincidence in the timing of Roberts coming forward as Billy the Kid. Roberts and his wife decided to retire to Texas after moving around between many different southern states because of the low cost of living there. Roberts was on a small state pension and this had to be supplemented by his elderly wife taking on laundry to bring in a relatively small income.[9] He also died of a heart attack in December 1950 after his attempt of a pardon was unsuccessful.

Photograph of Brushy Bill’s Grave, Wikimedia Commons

There is no way to definitively prove or disprove Roberts claims of being the infamous outlaw, but there is no denying that the case has helped perpetuate the outlaw in American history. This started within a year of the Kid’s supposed death after Pat Garrett published a biography of his victim. However, the book was more like a traditional dime novel, which often featured cowboy figures. It was based on entertaining fiction rather than hard facts.[10] Hico in Texas, where Roberts retired to, openly admits his claims were true and has a Billy the Kid Museum to explain this. Whatever your own believes on the matter, it’s true that the outlaw does have continuing appeal and fascination. In terms of Brushy Bill, as has been said, if he wasn’t Billy the Kid, then who was he and how did he know so much about the outlaw and the Lincoln County War?[11] It is possible that even if he wasn’t Billy, Roberts would have known him well and had himself participated in the Lincoln County War.[12]


[1] Kiger, P. J., ‘How Did Billy the Kid Die?’, History, 14 May 2020, https://www.history.com/news/billy-the-kid-death-theories

[2] Jameson, W. C., Billy the Kid: Beyond the Grave (Lanham, Maryland: Taylor Trade Publishers, 2005), pp. 1-2.

[3] Jameson, W. C., Billy the Kid: Beyond the Grave, pp. 5 and 20.

[4] Prassel, F. R., The Great American Outlaw: A Legacy of Fact and Fiction (Norman, Oklahoma: University of Oklahoma Press, 1996), p. 152.

[5] Jameson, W. C., Billy the Kid: Beyond the Grave, p. XII.

[6] Kiger, P. J., ‘How Did Billy the Kid Die?’, History, 14 May 2020, https://www.history.com/news/billy-the-kid-death-theories

[7] Kiger, P. J., ‘How Did Billy the Kid Die?’, History, 14 May 2020, https://www.history.com/news/billy-the-kid-death-theories

[8] Prassel, F. R., The Great American Outlaw, p. 152.

[9] Jameson, W. C., Billy the Kid: Beyond the Grave, pp. 15-16.

[10] Jameson, W. C., Billy the Kid: Beyond the Grave, p. 7.

[11] ‘Patrolling the Bandit Belt’, T. F. Dawson Scrapbooks cited in Prassel, F. R., The Great American Outlaw, p. 152.

[12] Jameson, W. C., Billy the Kid: Beyond the Grave, p. 20.

Lady Baillie’s Grand Parties at Leeds Castle

I haven’t visited Leeds Castle in Kent for around 10 years now, but it still has left an impression in me. It has often been described as the loveliest castle in England. I can easily see why with its impressive moat and medieval style architecture. It is even more appealing when you consider the women who were once in possession of this castle in its long history. From Eleanor of Castille, wife of Edward I, to Catherine of Aragon, wife of Henry VIII, many royal women saw the castle as their home. However, not is all as it seems. Much of what we can see today was mostly reconstructed by Olive Wilson, later to become Lady Baillie after marrying her 3rd husband, the last owner of the castle. When she had brought it in 1927 for £180,000 (just over £9 million today), it was in a neglected state for the last person to live inside the castle had died in 1870.[1]

Leeds Castle (2010), Herry Lawford, Wikimedia Commons

As someone with dual American and English nationalities, Olive was looking for an English retreat away from London. She certainly found it in Leeds Castle as she is said to have fell in love with it instantly, despite the sorry state it was then in. For the rebuild, she hired Armand-Albert Rateau and other French craftsman, for she believed the French would be able to restore a sense of history to the site.[2] Other local men were hired too, but the French ones were needed to source French materials, such as chimneypieces and oak doors. For all the historical items added, including replica eighteenth century furniture, modern living was also a priority. Underfloor heating and en-suite bathrooms made of onyx were added.[3] As if that wasn’t luxurious enough, in 1939 an open air and heated swimming pool was added to the grounds, complete with a wave machine and nearby cocktail bar.[4] The bar was decorated with a mural depicting Neville Chamberlain, the then Prime Minister, skating on a frozen pond surrounded by statues of women and children representing Adolf Hitler, Winston Churchill, Hermann Goering and Duff Cooper.[5] These additions reflected the use of Leeds Castle as a prominent place of entertainment for the great and the good during the 1920s and 1930s.

 

Lady Baillie playing croquet

The types of people invited to the weekend parties at the castle ranged from film stars such as Cary Grant, Errol Flynn and Charlie Chaplain, to royals such as Edward, Prince of Wales and his mistress Wallace Simpson, to ambassadors, ministers and MPS.[6] The one I find the most intriguing is the Russian Grand Duke Dimitri Pavolovich, one of the conspirators suspected of being involved in the assassination of Rasputin in 1916. During these parties, activities such as golf, tennis, squash, croquet, boating or skating on the moat or picnicking in the vast parkland, all before a lavish dinner and merrymaking with music to gramophones or watching the latest film releases.[7] Despite all these wonderful images created by such events, its curious to think that Lady Baillie herself often didn’t see the guests following their arrival on Friday night, until sometime on the Sunday. In truth, she was described as more of a listener than a talker, and much preferred to leave people to their own devices. Her friend, the Duchess of Argyle described her as an eccentric, yet shy person, often taking up to 3 days, or even a week, before she felt able to show herself in the company of new guests.[8]

Despite all this, her parties were full of the rich and famous, who were able to seek privacy at Leeds, as Lady Baillie refused to allow the press near. The guests were allowed to wander around freely other than at night, when the unmarried male guests were placed in the Maiden’s Tower away from the rest of the castle to prevent bed hopping.[9] For this reason, some guests described her hospitality style as “relatively restrained in behaviour compared with many of her much more notorious contempories”.[10] Perhaps that is why guests often were able to have a candid experience, as seen in the case of actor, David Niven. He often left the party to play cards with the servants in the servants’ hall instead.[11]

David Niven in Enchantment (1948), Photograph in possession of SchroCat, Wikimedia Commons

The parties continued even during World War Two, although in a different form. Most of the castle was taken over as part of a war hospital for injured soldiers. They were moved into smaller parts of the castle and often included some of the soldiers being rehabilitated there. Many of these were sent home following their repatriation from Dunkirk and included severely burned pilots.[12] They were never again seen on the same large scale as before the war, especially as Lady Baillie’s health was on the decline.

Similar small-scale parties were also occasionally held for the castle staff at Christmas time. On Christmas Eve, a large party was held for the local children, whereas on New Year’s Eve, one was held for the castle servants. During these events, Lady Baillie was known to dance with the butler, and her husband danced with the housekeeper.[13] These events showed kindness to her staff and ensured her legacy was one of a ‘lovely lady’ by them following her death in 1974, before the castle was handed over to the nation in the form of a charitable trust. The care Olive put into restoring the castle was certainly a legacy to remember in terms of the architecture and interiors but showcasing these to large numbers of famous people is perhaps what she will be remembered for most.


[1] Bignell, A., Lady Baillie at Leeds Castle (Leeds Castle: Leeds Castle Enterprises, 2007), p. 7.

[2] Bignell, A., Lady Baillie at Leeds Castle, p. 18.

[3] Leeds Castle Blog, ‘The Real Gatsby was a Woman: Lady Baillie and the Glamourous 1920s’, http://leeds-castle.blogspot.com/2013/05/the-real-gatsby-was-woman-lady-baillie.html

[4] Bignell, A., Lady Baillie at Leeds Castle, p. 54.

[5] Bignell, A., Lady Baillie at Leeds Castle, p. 54.

[6] Bignell, A., Lady Baillie at Leeds Castle, p. 34.

[7] Bignell, A., Lady Baillie at Leeds Castle, p. 35.

[8] Bignell, A., Lady Baillie at Leeds Castle, p. 54.

[9] Bignell, A., Lady Baillie at Leeds Castle, p. 36.

[10] Bignell, A., Lady Baillie at Leeds Castle, p. 36.

[11] Bignell, A., Lady Baillie at Leeds Castle, p. 53.

[12] Leeds Castle, ‘The Baillie Years’, https://www.leeds-castle.com/Visit/History/The+Lady+Baillie+Years

[13] Kent Online, ‘The Real Downton’, https://www.kentonline.co.uk/kent/news/the-real-downton-a64777/